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The Rise Of The Artist

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81–90 of 167 posts

Re: The Rise Of The Artist

#81

I've been coding for over 20 years now and I absolutely suck at drawing. The only kind of drawings I've ever done are circuit diagrams, but I don't think they count. I bought a copy of Betty Edwards' "Drawing on the right side of the brain" over a year ago but never got around reading. Maybe I should dust it off and start with it. Does anybody have any recommendations for coders learning to draw?

Just read the book and do what it prescribes. This got me from stickmen to decent shaded realistic drawings. No portraits yet, but I believe I just need to put the time to practice.

Re: The Rise Of The Artist

#82

My brain can't do art. I have tried for 20 years. I am never happy and keep going to try and make it perfect. And I never succeed. I end up tossing it in the bin after my attempts at perfection make it look like like a mess. I like code since it works or it doesn't. Sure, it could be better but as long as it works and is secure I don't really care. And yes, 90% is using PHP.

"It works or it doesn't" suggests you either limit yourself to extraordinarily simple projects or your clients don't care what happens as long as it's not a 500. Development is not such a black and white pursuit if you're working on projects with any sort of complexity. I'm better with programming than I am with charcoal, but I can say with certainty that while my art is hanging in a few living rooms, my code gets a…

I'm not talking about design or features. I constantly think of ways to make what the user sees better. I was talking more about refactoring.

Re: The Rise Of The Artist

#84

Picture a writer. You've seen him countless times in tv shows and movies. Brow furrowed, pencil gripped tight between teeth, hunched over a typewritter, tearing pages out and throwing them into an overflowing waste basket, staring at the ceiling praying for inspiration. Picture a developer. Brow furrowed, hunched over a keyboard, the room is dark but he glows from the light of the monitor, a pile of empty mountain de…

I don't think you can compare coding and writing so closely. I don't know about you, but I've never thought of coding as involving much creativity . Or is your point that good writers and artists and such are not actually being creative?

>I've never thought of coding as involving much creativity

Truly?

Programming requires a whole lot of creativity (sometimes enough to sap it from your other creative endeavors). Not necessarily in the part where you write the if, else, for and while stuff, but the part before that - when you're figuring out what you actually want to DO.

I've spent hours simply thinking about the best algorithm to use for a task. Sitting there with a notebook, sketching different possibilities over a simple example, thinking about its algorithmic complexity and whether there's a way to do it better. Considering what data structures I need to implement it, and the trade-offs between those choices. Whether I might just need to start over altogether (and I have; on some of the more challenging algorithm assignments, I've gone through 4 iterations of implementation before I hit one I was happy with).

You might call that engineering. But, the act of actually COMING UP with new algorithms and implementations that might solve the problem? That's creativity. And the harder the problem, the more it takes to solve.

Maybe it's just that I'm still a student, doing some projects on my own and doing a lot of homework assignments. I don't know what kind of coding you're doing, but if you can do it mechanically, without requiring any creativity whatsoever, then it doesn't sound like a very good use of your time.

Re: The Rise Of The Artist

#85

Picture a writer. You've seen him countless times in tv shows and movies. Brow furrowed, pencil gripped tight between teeth, hunched over a typewritter, tearing pages out and throwing them into an overflowing waste basket, staring at the ceiling praying for inspiration. Picture a developer. Brow furrowed, hunched over a keyboard, the room is dark but he glows from the light of the monitor, a pile of empty mountain de…

I don't think you can compare coding and writing so closely. I don't know about you, but I've never thought of coding as involving much creativity . Or is your point that good writers and artists and such are not actually being creative?

> I've never thought of coding as involving much creativity.

I do. In both writing (drawing/sculpting/whatev) and coding you have something based in reality, that you transpose into you mind and then create another reality with.

In writing you may have something you have experienced, in drawing you might have an object in front of you, in coding you have a non-computer-based system/algorithm that you need to support. The better you are at imagining how to best support the real life system, the better a programmer you are. That said, I consider programmers more like craftsmen; but as in all crafts, some artistry usually slips in.

Re: The Rise Of The Artist

#86
post #76
post #70

Earlier quoted context omitted.

"Every other kid wants to do a liberal arts major, but how many want to do math?" Liberal arts major as such is quite different from an art major. Many kids do want to maybe be an English or History major and then teach. Far, far fewer want to be an art major and try to survive as an artist (or even an art teacher). As far as math goes, maybe not all that many kids want to be mathematicians, but plenty do take a fair…

"Far, far fewer want to be an art major and try to survive as an artist (or even an art teacher)" Are you discounting the multitudes that study fashion design and graphic design? The ones that pile on at RISD and New School? Julliard? At this point I feel you should specify what you consider an artistic pursuit "As far as math goes, maybe not all that many kids want to be mathematicians, but plenty do take a fair bit…

"Are you discounting the multitudes that study fashion design and graphic design? The ones that pile on at RISD and New School? Julliard? At this point I feel you should specify what you consider an artistic pursuit"

RISD is a very small school. Only 2,282 students total. According to [1], they had 835 admissions, with a 34% acceptance rate. If my math is right, that makes for 2,455 applicants.

Julliard is even smaller (800 students), though much more selective. According to [2], they had 2,138 applicants (of which they admitted 162 -- an 8% acceptance rate).

So that's 4,420 total applicants to RISD and Julliard combined.

According to [3], there were 3.3 million high school graduates in 2008. That would make for 0.13% (or about 1 out of 1000) high school graduates "pile on" Julliard and RISD. While 999 out of 1000 don't apply to either school (and the overwhelming majority of those probably not to any kind of art career path at all).

"No, actually beyond basic high school math many people never touch math again. Not even calculus."

Ok. But how much math did they take by the time they make it through high school math? Maybe 9, 10, or even 12 years of math. Which is probably an order of magnitude more than they have years of art.

"You talk about the ones on their way to becoming engineers and such. That's like complaining that people at chef school take more cooking classes than astrophysics classes. You talk about engineers, programmers, and scientists like everyone's just lining up at the door to become one."

Well, let's take a look at the 10 most popular majors in 2008.[4]

Biology, Business administration and management, Communications, Computer science, Criminal justice, Elementary education, Marketing, Nursing, Psychology, Political science.

Of those, I'd say Nursing and the more sciencey fields like Biology, Computer science, Psychology, and maybe some Political science need math. The others not so much. Of course, out of these, Computer science is the most math-heavy.

Incidentally, according to this[5], Stanford's most popular major now is Computer Science.

So, that's a fair bit of math there. Not as much as you'd need to major in engineering, applied math, or mathematics itself, of course. But perhaps more than what's taught in most high schools.

Now, compare that to how many of these majors need art. I would say none of them do. And none of them are any kind of art major. So, yes, I think math has a very strong lead over art as far as the most popular majors go.

[1] - http://www.theu.com/admissions_ratings/rhode_island_school_o...

[2] - https://en.wikipedia.org/wiki/Juilliard_School#Admittance

[3] - https://en.wikipedia.org/wiki/College_admissions_in_the_Unit...

[4] - http://www.cnn.com/2008/LIVING/worklife/10/27/cb.what.major....

[5] - http://mashable.com/2012/07/01/stanford-top-major-computer-s...

Re: The Rise Of The Artist

#87
post #50

This talk of "right-brain" revolution has become so popular that no one even realizes the fundamental irony of it all. The fallacy that the "creative" arts have been under appreciated in society is the largest piece of bollocks I've ever heard. I voluntarily teach math at a school here in MN, so i get some insight into what's going on at the schools and the fact is, while the politicians and corporations are sounding…

We have more people who graduate with degrees in dance than we do people who graduate with degrees in mathematics.

This is not true. Dance programs are extremely small and one can join by audition only. The U of MN only has about 10 dance majors per year. In contrast they graduate about 100 math majors per year. I know this because I'm from MN and majored in math, and my girlfriend majored in dance. You can verify actual stats on the U of MN website somewhere.

We have more art and history museums than we have science and engineering museums

This is also incorrect, there are 140 art museums in the US and over 400 science "museums" , if you count the following as museums: planetariums, kid's science centers, imaginariums, aquariums and the like. I know this cuz I once worked at a company that sold software installations to both art museums and science museums. (Not really a great business to be in with few potential customers and loads of competition). You can probably verify the numbers with data from Wikipedia.

Re: The Rise Of The Artist

#88
post #79

anyone can learn to code. but can anyone really learn to draw?

Yes. Drawing is muscle memory/dexterity. Drawing/painting is a physically trainable skill. Creativity however, is something innate (or at least a by-product of the nature/nurture of the person) and can be expressed compulsively regardless of the technical acumen of the pencil-wielder.

Creativity is certainly distinct from technical proficiency. However, much research has been done on creativity, and the consensus is that it can be taught and learned.

The compulsion or "drive" to create is something else, and perhaps that is more innate. I'm not sure what the research says about this, actually.

Certainly a lot of people "want" to be creative, just as they may "want" to write a novel. But few want to put in the hard work to make it (writing the novel) happen. Being "creative" is also hard work. Especially when you have to do it consistently and over a long period of time. Relatively few are compelled or driven to do so.

Re: The Rise Of The Artist

#89
I don't disagree, but I dislike the reasoning.

If you truly believe in art (or engineering or plumbing), you do it for yourself, make it happen regardless of whatever "big societal shifts" that may happen in the next 30 years.

Don't over-calculate the future.

Re: The Rise Of The Artist

#90
post #50

This talk of "right-brain" revolution has become so popular that no one even realizes the fundamental irony of it all. The fallacy that the "creative" arts have been under appreciated in society is the largest piece of bollocks I've ever heard. I voluntarily teach math at a school here in MN, so i get some insight into what's going on at the schools and the fact is, while the politicians and corporations are sounding…

>That "left brain/right brain" business is the stupidest, most egregious display of a lack of understanding of basic neuroscience.

This is the first thing that I wanted to say, and I'm glad to see it already represented in this thread. The only myths that get to me as much as perpetuation of the Left- vs. Right-brained business are statements that assume a zero-sum model of economics/trade, or statements that imply a 1:1 mapping of specific genes to specific functions/physical traits.

It's a more academic version of "So are you a dog person, or a cat person? Oh you're X? That means, you like to Y and and hate it when people Z!"

Getting past that and allowing the neuromyth as a metaphor for "creative" versus "process-oriented", there are still all sorts of issues that I take with that sort of one-dimensional categorization being placed on a person.

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