Aside from the other links in comments, any where to read more of this? I need more.
A Kantian Critique of "Sorry" by Justin Bieber
81–90 of 113 posts
Re: A Kantian Critique of "Sorry" by Justin Bieber
#82Earlier quoted context omitted.
>No AI was used to generate the text for this article Damn. Please never stop writing
The slop art gave me the wrong impression. I did enjoy the read even thinking it was AI though.
Re: A Kantian Critique of "Sorry" by Justin Bieber
#83Further cementing my view that philosophy is 95% bullshit. The author really cannot imagine times when it might or might not be too late to say sorry? I think they fundamentally misunderstand what an apology is.
Re: A Kantian Critique of "Sorry" by Justin Bieber
#84Good. We can move to Bruno Mars now
An Aristotelian Critique of “The Lazy Song”
Re: A Kantian Critique of "Sorry" by Justin Bieber
#85Surprised this article didn't explain the categorical imperative before appealing to it. Here's my interpretation of it, although some would say that (4) is a utilitarian interpretation(even though it's globally utilitarian) and therefore it is not truly categorical. (1) We all know that doing what's best for oneself does not count as doing something "good" or "right". Even the worst psychopath or monster will do wha…
1. The "universal law" formulation (GMS 4:421) states that an action if permissible if and only if we can will that maxim of our action becomes a universal law. At no point does the FUL actually ask whether the world becomes a better place, it asks strictly whether there's a logical contraction between the maxim of one's actions and their universalization.
2. The "humanity" formulation (GMS 4:429) states that an action is permissible if and only if it treats its rational subjects (including the actor) as ends in themselves, rather than means. But this too is a logical construction without reference to outcomes: a plain reading of Kant suggests that the HF formulation permits actions that make the world a worse place so long as the maxim behind the action is derived from a basic source of respect for humanity as a means.
3. The "autonomy" formulation (GMS 4:432) is similar to the FUL, except that it asks us to imagine ourselves as a legislator of universal law. My interpretation of this formulation (IMO it's Kant's most confusing) is as his attempt to emphasize that we must not merely follow derivations of universal law, but actively legislate and derive it for ourselves. This effectively layers a constraint on the FUL, but preserves its basic logical structure, i.e. does not ask us to perform casuistry when determining whether an action is permissible.
4. The "kingdom of ends" formulation (GMS 4:439) is intended as a unifying formulation of the first three, and essentially challenges us to test the moral permissibility of the maxims our actions not merely through universalization, humanity, or self-legislation, but as acceptable to an abstract community (Kant's "kingdom") of similarly rational, self-legislating actors. This is arguably Kant in his most Rawlsian/Piagetian state, since there's an additional idea that the permissibility of our actions is qualified and constrained by whether our peers would accept them.
Of these, (4) is arguably the closest to us asking whether the world is made better or worse as our moral test. But two problems emerge. First, Kant himself sees his formulations as co-extensive, meaning that (4) cannot imply any consideration for outcomes if (1) through (3) do not (and they do not, as purely logical, non-casuistic constructions of duty). Second, Kant emphasizes acceptance of actions in the KOE formulation, and acceptance in turn is grounded in (1) through (3). If acceptance were not grounded so, the imperatives in question would be hypothetical rather than categorical.
Re: A Kantian Critique of "Sorry" by Justin Bieber
#86Re: A Kantian Critique of "Sorry" by Justin Bieber
#87This 3 minute song creates a fleeting portrait of a man, not necessarily Bieber, who we cannot know. The song captures the mindset of a character who, one might infer, cynically knows what he’s trying to do. It’s possible he has no interest in a heartfelt, meaningful apology. In fact, this character - who lives only within the song and the liminal world it creates - may be operating exactly to his own moral preferenc…
> you Kant analyze pop music with confidence Fun fact: The correct German pronunciation of “Kant” isn’t like “can’t”, but like “cunt”.
Re: A Kantian Critique of "Sorry" by Justin Bieber
#88Earlier quoted context omitted.
Is it? I couldn’t tell and I’m pretty sensitive to machine generated text. Also, the author claims: > No AI was used to generate the text for this article. The cover image and the voiceover in the audio version of the article is AI-generated. The cover image is made using Google Gemini’s latest image model while the voiceover uses OpenAI’s tts models.
> Also, the author claims: You can slap an arbitrary disclaimer on anything; it doesn’t mean it’s genuine.
Re: A Kantian Critique of "Sorry" by Justin Bieber
#89Re: A Kantian Critique of "Sorry" by Justin Bieber
#90Earlier quoted context omitted.
I had a coworker who talked all the time about their improv activities outside of work. They also dropped “yes, and” into business meetings with execs, and would then explain why. They asked me if I thought it would be a fun team-building exercise to bring in their improv coach and do a class with a bunch of VPs and directors. I said no. I understand the concept but sometimes people can be overzealous about their pas…
What?! I think a 28 hour game of Twilight Imperium would be a great team destroying exercise.