Earlier quoted context omitted.
I think there's some talking past each other going here. I think it's useful to bisect music into commodity/non-commidty categories. Category 1 is things like Taylor swift's music which is not a commodity. Category 2 is the music playing on lofi hip hop radio[0] is a commodity. 28,000 people are listening to the music on that channel as I type this and and approximately zero people know or care who made that music. T…
Just because they themselves have outsourced the selection of the music doesn't make it a commodity. It's like saying Michelin-starred restaurants are a commodity. They aren't. Once they are on that list they might be sort of interchangeable to a specific sort of person who just wants a generic "nice" restaurant and picks one off the list when they get to a city. But they're all unique and different in really substan…
Corn is a commodity too, but I buy my sweet corn exclusively from one of a few vendors growing varietals that I enjoy more than what I can get at a super market (the varietal can be sold on the futures markets).
One definition of a commodity is:
> a mass-produced unspecialized product
My claim is that most lo-fi hip hop (and other genres) really looks like it fits this definition. The songs are produced in their thousands and have differences in the same way honeycrisp apples have slightly different colors and sizes, but ultimately are interchangeable.
Any further than this feels like it's nitpicking at technical details. I cannot tell the difference between lo-fi hop hop playlist A and lo-fi hip hop playlist B because the differences in the songs are not meaningful to me.