Earlier quoted context omitted.
> look at listings of new apartments And even that is fraught with problems, because in my neck of the woods (Germany) we generally do not buy houses/appartments furnished (and renting appartments furnished is also an exception and not the norm. Even kitchens are empty rooms without cabinets and appliances.). Edit: Even though the AirB'n'B methodology is not perfect, I agree with some of the conclusions. Just like ra…
That is bassically the same here (usa), although we typically include major appliances and cabinets. However, when houses are put up for sale, they are typically "staged", where the seller will rent furnishings to make it look more homely. Apartments are more hit and miss. The bigger complexes will often have a show apartment they keep furnished for toors, and may often used a furnished one for their pictures. Obviou…
The age of average
201–210 of 493 posts
Re: The age of average
#202What the article describes is correct, but I don't think the words "average" or "homogeneity" or "conformity" are the right terms, as they seem to carry negative connotations here. Rather, the right word is "convergence". The point is, people like certain things aesthetically. It used to be that artists and designers were still trying to figure out what looks good, and trying all the things. But now we've tried so ma…
As much as some openly oppose the idea, and others secretly do, we really are just a single species with fairly uniform tastes.
Re: The age of average
#203Re: The age of average
#204Earlier quoted context omitted.
I've tried making this same point when it comes to auto designs (at least in the competitive, cost-sensitive ones). A lot of mid-sized cars look the same because the design constraints generally converge on the same handful of principles. They've converged not in the aesthetic sense as much as the engineering sense: because they work at a relatively low cost. (I'm speaking mainly about things like aerodynamics here,…
Even if they had to ultra-optimize the aerodynamics so all the cars look like the same bar of soap (they don't have to), they could still at least paint the damn soap a different color. But, no. All you see coming out of the factory are white, silver, gray, black, the occasional red and the occasional blue. What's driving this? That's what the article is about. Is it actually pull from customers, or is it push from t…
Re: The age of average
#205Earlier quoted context omitted.
Even if they had to ultra-optimize the aerodynamics so all the cars look like the same bar of soap (they don't have to), they could still at least paint the damn soap a different color. But, no. All you see coming out of the factory are white, silver, gray, black, the occasional red and the occasional blue. What's driving this? That's what the article is about. Is it actually pull from customers, or is it push from t…
Fwiw, the explicit advice I got from my parents about cars/houses was to never choose a unique looking one. I was told odd-colored cars are more likely to be broken into, and houses that draw attention (if placed in a neighborhood of otherwise very similar houses) are more likely to be robbed. So even if my favorite color was an easy option when choosing a car, I'd probably go monochrome as long as that's what the ma…
Re: The age of average
#206What the article describes is correct, but I don't think the words "average" or "homogeneity" or "conformity" are the right terms, as they seem to carry negative connotations here. Rather, the right word is "convergence". The point is, people like certain things aesthetically. It used to be that artists and designers were still trying to figure out what looks good, and trying all the things. But now we've tried so ma…
I imagine life where on each step I have to deal with something I have never seen. That would be really tiring. I have my own venues to be creative, living in a world where everything is expression of someone else "creativity" would take all energy from me because I would have to work out too many thing every day.
Re: The age of average
#207Earlier quoted context omitted.
I completely disagree. The article can be viewed as analysing the effects of globalisation, the growing homogeneity of spaces that starts at AirBnB and cafes and spreads. Something is lost if you visit a new country and the layout is exactly the same as where you live. If I visit Hong Kong and I see a London tube type rail map, I'm going to be disappointed. There is a tradeoff in not immediately knowing how to use th…
The author showed some skylines from a distance and claimed all cities look the same. But that’s juts not true. Hong Kong and London look, feel, and work very differently from each other, even though the latter was a British colony.
Re: The age of average
#208One example that is missing but would actually have been more obvious is the smartphone. They basically all look the same. It seems to me that some winners emerge, which makes other competitors want to replicate the winner's formula. Over time all products end up the same. Trying to deviate from that sameness will either result in customers not being interested or everyone copying you. This may be bad for innovation.
You could just as well ask why do keyboards all look the same? There is always convergence in user interfaces because consumers don’t want to relearn every time they buy a new device.
Re: The age of average
#209Earlier quoted context omitted.
I've tried making this same point when it comes to auto designs (at least in the competitive, cost-sensitive ones). A lot of mid-sized cars look the same because the design constraints generally converge on the same handful of principles. They've converged not in the aesthetic sense as much as the engineering sense: because they work at a relatively low cost. (I'm speaking mainly about things like aerodynamics here,…
AFAIK, the reason cars look the same is that they are optimized to use the same mass-produced parts. Not really because of physical, aesthetic, or usability reasons.
Re: The age of average
#210The styles that the author reviews are real trends in their market (except the paintings, which seems like an intentional publicity stunt on the part of the artists rather than a genuine trend, and it harms the piece by being the introduction - gets everything off on the wrong foot), though not as all-consuming as they are made out to be. The author then identifies a commonality between these trends, that they are al…
One can make parallels to other eras, sure, but the current convergence to an "average" is unprecedented in scale and speed. Various eras had a distinctive style that everything revolved around, but at least there was variety (cultural and corporate). Nowadays I can't shake off this weird feeling of sameness emanating from every design. I can hardly distinguish brands any more, I can't tell cultures apart and that's…
I feel like a time prisoner /fugitive constantly trying to break out of this window-loop.