That's a fair point - the author does spend a fair bit of time questioning the functional requirements themselves. I am not informed enough on urban planning or the circumstances surrounding the site to make a judgement there. I will, however, say that making the building 1) secure and 2) historically aware seem to be non-optional requirements given the nature of the site.
I was more so addressing the critique of the structure itself:
>One World Trade is symmetrical to a fault, stunted at its peak, its heavy corners the opposite of immaterial. There’s no mystery, no unraveling of light, no metamorphosis over time, nothing to hold your gaze
My point is primarily that such traits as those advocated by the critic, that the building be be ‘immaterial', ‘mysterious', and ‘metamorphosing', are highly subjective. I could just as easily state that the building ought to be ‘substantive', ‘familiar', and ’stable'. My architectural preference is for buildings that avoid trying to achieve any of these "qualities" of taste, but rather buildings that deliver elegant solutions to their objective requirements. If ‘mysteriousness’ is a necessary trait in order to achieve the function of the building, then so be it. But the critic simply attacks the building for lacking certain qualities that he has not adequately tied to the purpose and nature of the building.