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“I just chose words carefully”

unsung.aresluna.org

101–110 of 374 posts

Re: “I just chose words carefully”

#101

Earlier quoted context omitted.

Here is the interview where she mentions it, with the correct timestamp, backed-up just enough to give it context. https://youtu.be/d3bCel607lQ?t=1162

“Chris told me I mean that there was a particular way that we used to speak in the show that it that wasn't a normal rhythm and syntax. It was slightly backwards. which felt like it was almost part of the cryptic aspect of the series. “And it wasn't until we were working on this, I think, the second feature. I was sitting in a parked vehicle waiting to shoot and our showrunner and creator Chris Carter came up to me w…

Forming every paragraph of dialog into perfect rectangles is way more extreme than just avoiding "widows". The usual term for this is "full justification" and typographically when it's done it's typically through word spacing and letter spacing. Full justification in monospace through word choice (which is what the Ares Luna article is about) is bonkers, but I can't see that happening for TV dialog.

I've sometimes heard "orphan" used to represent a single word left alone on its own line at the end of a paragraph, but the terms are often confused and Carter could have used "widow" in that sense.

I'm curious to see what the hard-copy scripts actually looked like. The soft copies I've seen aren't particularly idiosyncratic but maybe they've been normied: https://www.dailyscript.com/scripts/the-x-files_production.h...

Re: “I just chose words carefully”

#102
post #2

There's a similar anecdote Gillian Anderson recently revealed during an interview on the X-Files , saying Chris Carter had an OCD-like habit to write dialog to conform to certain text layout preferences (no widows[1]) in the script, which made for the show's distinctive style of dialog cadence. 1 = https://en.wikipedia.org/wiki/Widows_and_orphans

Meanwhile Xfiles has a montage on YouTube of all the times the boom mic crept into the shot.

So I can’t super accept that these are geniuses - it was cheap TV.

In hindsight sure, whole cult following etc. but doesn’t mean it is well designed or even thought out.

Re: “I just chose words carefully”

#104

Earlier quoted context omitted.

Robots would excel at writing that sort of copy I’d assume. (I haven’t tested it but doubt an LLM couldn’t handle that)

I suspect LLMs would actually struggle significantly with doing it consistently if given purely as a prompt instruction, but you could always constrict the sampling to force words that create a legitimate chain or fine tune / RL in some signal that would assist with it.

  You are right that this is hard from a prompt alone, but for a slightly stranger
  reason than the obvious one. The model never sees columns. It sees tokens, and a
  token can be one character or nine, so "make this line 80 wide" asks it to run a
  hidden tally over pieces it cannot count by looking at them. Any slip early in a
  line compounds, and there is no backspace key to reach for once it is committed.
  That said, the failure is not total. A model can lean on a learned feel for line
  length, pick shorter or longer synonyms to land close to the target, and rewrite
  a sentence when it overshoots. It will not be perfect every time, but it lands a
  lot more often than pure chance would suggest. The sampling trick you mention is
  the real fix: mask each token that would push a line past the limit, and force a
  newline the moment the count hits the mark. That converts a fuzzy instruction to
  a hard constraint with zero training. Fine tuning helps too, but mostly sharpens
  the same internal counter rather than replacing it. This reply is a small proof;
  if any line here is off by one, feel free to consider your point demonstrated...

Re: “I just chose words carefully”

#105
post #50

Earlier quoted context omitted.

Could be a saving grace in the age where the robots come up with all the copy.

Robots would excel at writing that sort of copy I’d assume. (I haven’t tested it but doubt an LLM couldn’t handle that)

An raw LLM no, but given code execution it can do a good job. I had my Claude Sonnet write a sonnet in this form after 14 rounds of iteration with Python:

The autumn wind moves slow across the field,

and every falling leaf now yields its fight.

The summer gold at last has ceased to yield,

and short days now give way to longer night.

I walk alone beside a calm and quiet stream,

and watch it slowly carry every fallen leaf.

I think of you as some half-forgotten dream,

and taste again that same old, bitter grief.

The silent stars come out to watch it still,

and pale moonlight falls gently on the hill.

A lonesome owl calls out from past the mill,

and time moves on, unhurried and calm, until

the dawn returns to paint the sky brand new,

and I still recall the love I lost with you.

Re: “I just chose words carefully”

#106

Earlier quoted context omitted.

Robots would excel at writing that sort of copy I’d assume. (I haven’t tested it but doubt an LLM couldn’t handle that)

I suspect LLMs would actually struggle significantly with doing it consistently if given purely as a prompt instruction, but you could always constrict the sampling to force words that create a legitimate chain or fine tune / RL in some signal that would assist with it.

[deleted]

Re: “I just chose words carefully”

#107

this is only tangentially related to the article, but I've always found text justification strange. For me paragraphs with ragged edges are easier to read than justified paragraphs, because the irregular ending point helps me keep track of where I am. And justification can lead to some very odd-looking lines. So I've just never quite understood why it's so common in typesetting

It's just neatness. Like ironing clothes or putting on a tie, it's not about it serving a functional purpose. It's just to show off straight lines.

Re: “I just chose words carefully”

#108

Earlier quoted context omitted.

Robots would excel at writing that sort of copy I’d assume. (I haven’t tested it but doubt an LLM couldn’t handle that)

An raw LLM no, but given code execution it can do a good job. I had my Claude Sonnet write a sonnet in this form after 14 rounds of iteration with Python: The autumn wind moves slow across the field, and every falling leaf now yields its fight. The summer gold at last has ceased to yield, and short days now give way to longer night. I walk alone beside a calm and quiet stream, and watch it slowly carry every fallen l…

Monospace formatting: start each line with two spaces to get monospace (and then you won't need double linebreaks).

Re: “I just chose words carefully”

#109
In programming certain word choices are valuable in this way. It's sad that pairs like true/false, good/bad, first/rest, and left/right are unequal length. But there are nice pairs like old/new, head/tail, fast/slow, same/diff, and right/wrong, which can help with create natural vertical alignment throughout a function.

Re: “I just chose words carefully”

#110

Earlier quoted context omitted.

“Chris told me I mean that there was a particular way that we used to speak in the show that it that wasn't a normal rhythm and syntax. It was slightly backwards. which felt like it was almost part of the cryptic aspect of the series. “And it wasn't until we were working on this, I think, the second feature. I was sitting in a parked vehicle waiting to shoot and our showrunner and creator Chris Carter came up to me w…

Forming every paragraph of dialog into perfect rectangles is way more extreme than just avoiding "widows". The usual term for this is "full justification" and typographically when it's done it's typically through word spacing and letter spacing. Full justification in monospace through word choice (which is what the Ares Luna article is about) is bonkers, but I can't see that happening for TV dialog. I've sometimes he…

Widows are when the final line of a paragraph starts the next page. Orphans are when the first line of a paragraph ends a page.
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