Earlier quoted context omitted.
My token usage on Claude models has dropped by 83% over the last month - I'm pretty much only using it for quick one off questions or reading papers. it feels impossible for me to get Opus models to stop entering into cyclic loops, and my work is too security adjacent for Fable. Codex has been an excellent workhorse - doesn't feel like I have to dance around the guardrails, doesn't lose _everything_ when it compacts,…
I have to agree with you there. I did some good work with Claude then Fable came out - impressed with that as well. Then they dropped access to it and upon returning was never the same - even the Opus models for some reason. Then one day I burned through my limit in about 10 minutes and had to get a project completed. I subscribed to Codex and it has been fantastic - finished my project and continued on to others. I…
I used to rely on Fable for research when it was first out, today it doesn’t seem to be much better than Opus, and it uses up the quota exceptionally fast - 1h Fable in a single short session, and there’s little left for Opus to hit the 5h limit in a second session. With Opus I get about 3-5h of relaxed use with a couple subagents to save the context, but there’s usually quite some disagreement between the subagents and orchestrator - Claude does some model routing with default agents and picks Haiku and Sonnet for subtasks - only later to disagree with them and redo the work - and burn extra tokens. With Claude, it’s really either Opus or Fable if you want some quality.
That said, their marketing is exceptionally effective. Virtually all nontech folks consider only Claude.