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Distribution of colors in movie posters between 1914 and 2012

vijayp.ca

41–50 of 85 posts

Re: Distribution of colors in movie posters between 1914 and 2012

#41
post #36

Earlier quoted context omitted.

I think this is mostly one line in which Mark Zuckerberg says something along the lines of "time for a little wget magic". Certainly not a major plot point. Here's what I think is the relevant scene on youtube: http://www.youtube.com/watch?v=odOzMz-fOOw

Wow, I was surprised on how realistic that was. Maybe I should watch the movie after all.

It's actually quite a good film if you ignore the character assassination of Zuckerberg (not that he really needs defending, just it seems a little cheap).

Re: Distribution of colors in movie posters between 1914 and 2012

#42
post #40
post #28

Earlier quoted context omitted.

If he did it in a 2-day sprint, that makes it even more amazing -- which was my point. It seems unlikely to me that I could find someone to do the same quality of work as a contracting gig (whether it took 2 days or 2 months) and charge less than tens of thousands of dollars.

That's why people spouting "open-source is always less quality" and "without paying artists there would be no culture" are so dead wrong. People who feel the urge to create and do, will do so. And to me, things that were created for one's own enjoyment are pretty much always better than things created to be monetised.

Right. Can you imagine a film with the quality of Toy Story being produced just for fun? Not a chance. ThAt film took thousands of man-years to make. The whole open source everything movement is just communist nonsense that typically comes from people who have never had to make a payroll. Rails for example was the open source result of a profit-creating piece of software: Basecamp. The profits enabled the open source not the other way around. When I can feed my family, I'll contribute to open source, but who pays open source developers? Usually they're being subsidized by closed source work. For example, in my current day job, I'm building software for a startup. That pays the bills so I can afford to dabble in open source for fun. The idea if give everything away is just silly. Who is going to pay for the computer you're usin to develop on? Who pays the electric bills? Certainly not te little open source fairy godmother.

Re: Distribution of colors in movie posters between 1914 and 2012

#43

Earlier quoted context omitted.

Looks like "Peak Oil" back in 1977 made people feel blue or resulted in different chemicals being used in films. The blue band is much wider for that year all of a sudden.

Or it was Star Wars. ;-)

Plausible; as it happens again in 1980 (Empire Strikes Back)

Re: Distribution of colors in movie posters between 1914 and 2012

#44

I'm curious about the distribution of ink costs (by color) during the same timespan - just how close that correlation is.

+1, I think this must've played a large role in color selection, especially considering the large print runs these posters had to have.

Re: Distribution of colors in movie posters between 1914 and 2012

#45
post #13

I am awe-struck with what people with a passion manage to get done "in a couple weeks" just for fun. I can't imagine that I could have hired someone to do the same analysis, research, programming, scripting, graphics creation, and web site layout for anything less than tens of thousands of dollars. (Or is my intuition wrong about that?)

Well, a week is about $2500, so I guess it'd take around $5k.

There are many people who would call $2500 their two day rate. So, $10k+ doesn't seem that far fetched for a project of this complexity that delivers business value of some sort.

Re: Distribution of colors in movie posters between 1914 and 2012

#46
post #45

Earlier quoted context omitted.

Well, a week is about $2500, so I guess it'd take around $5k.

There are many people who would call $2500 their two day rate. So, $10k+ doesn't seem that far fetched for a project of this complexity that delivers business value of some sort.

People who charge $150+/hour are rarely working 8 (billable) hours a day.

Re: Distribution of colors in movie posters between 1914 and 2012

#47
post #46
post #45

Earlier quoted context omitted.

There are many people who would call $2500 their two day rate. So, $10k+ doesn't seem that far fetched for a project of this complexity that delivers business value of some sort.

People who charge $150+/hour are rarely working 8 (billable) hours a day.

I think that's far. I mostly posted because I don't want people to believe that $5k is the most you could get for this project.

There are infinite ways you could add a ton of value to this project that would be worth more than $5k. Automating the data retrieval and plugging it into mechanical turk for verification, being able to critique or comment on the deeper meaning of the change in colors. Or even online marketing to get the backlinks for a business could potentially be worth $10k.

Re: Distribution of colors in movie posters between 1914 and 2012

#48
The eventual settling on teal and orange is interesting. I'm curious what the feedback loop was that told the marketing department "this is what will make more money". It seems such a subtle thing, and I would think red (as an alarming color) or green (as the color we see best) would end up figuring more prominently.

Re: Distribution of colors in movie posters between 1914 and 2012

#49
post #47
post #46

Earlier quoted context omitted.

People who charge $150+/hour are rarely working 8 (billable) hours a day.

I think that's far. I mostly posted because I don't want people to believe that $5k is the most you could get for this project. There are infinite ways you could add a ton of value to this project that would be worth more than $5k. Automating the data retrieval and plugging it into mechanical turk for verification, being able to critique or comment on the deeper meaning of the change in colors. Or even online marketi…

I'm sorry, isn't this just a histogram of all the posters for that year? Am I missing something (e.g. a page I didn't see)?

It doesn't take that long to make a histogram of a "movie posters year X" Google image search...

Re: Distribution of colors in movie posters between 1914 and 2012

#50
post #40

Earlier quoted context omitted.

That's why people spouting "open-source is always less quality" and "without paying artists there would be no culture" are so dead wrong. People who feel the urge to create and do, will do so. And to me, things that were created for one's own enjoyment are pretty much always better than things created to be monetised.

Right. Can you imagine a film with the quality of Toy Story being produced just for fun? Not a chance. ThAt film took thousands of man-years to make. The whole open source everything movement is just communist nonsense that typically comes from people who have never had to make a payroll. Rails for example was the open source result of a profit-creating piece of software: Basecamp. The profits enabled the open source…

Many great films are made on a fraction of the budget required to produce something like Toy Story. And anyway I don't think it's hard to imagine Pixar artists saying they were more motivated by the pure joy of creating something than by their paychecks. There are bad movies that are created specifically to be monetized -- that people need money is beside the point that often those who create the really good stuff are probably doing it more for fun than for money. I think I see what you're saying, but it seems like an overreaction to what didn't strike me as a controversial comment by the parent.
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