Earlier quoted context omitted.
I think this is mostly one line in which Mark Zuckerberg says something along the lines of "time for a little wget magic". Certainly not a major plot point. Here's what I think is the relevant scene on youtube: http://www.youtube.com/watch?v=odOzMz-fOOw
Wow, I was surprised on how realistic that was. Maybe I should watch the movie after all.
Distribution of colors in movie posters between 1914 and 2012
41–50 of 85 posts
Re: Distribution of colors in movie posters between 1914 and 2012
#42Earlier quoted context omitted.
If he did it in a 2-day sprint, that makes it even more amazing -- which was my point. It seems unlikely to me that I could find someone to do the same quality of work as a contracting gig (whether it took 2 days or 2 months) and charge less than tens of thousands of dollars.
That's why people spouting "open-source is always less quality" and "without paying artists there would be no culture" are so dead wrong. People who feel the urge to create and do, will do so. And to me, things that were created for one's own enjoyment are pretty much always better than things created to be monetised.
Re: Distribution of colors in movie posters between 1914 and 2012
#43Earlier quoted context omitted.
Looks like "Peak Oil" back in 1977 made people feel blue or resulted in different chemicals being used in films. The blue band is much wider for that year all of a sudden.
Or it was Star Wars. ;-)
Re: Distribution of colors in movie posters between 1914 and 2012
#44I'm curious about the distribution of ink costs (by color) during the same timespan - just how close that correlation is.
Re: Distribution of colors in movie posters between 1914 and 2012
#45I am awe-struck with what people with a passion manage to get done "in a couple weeks" just for fun. I can't imagine that I could have hired someone to do the same analysis, research, programming, scripting, graphics creation, and web site layout for anything less than tens of thousands of dollars. (Or is my intuition wrong about that?)
Well, a week is about $2500, so I guess it'd take around $5k.
Re: Distribution of colors in movie posters between 1914 and 2012
#46Earlier quoted context omitted.
Well, a week is about $2500, so I guess it'd take around $5k.
There are many people who would call $2500 their two day rate. So, $10k+ doesn't seem that far fetched for a project of this complexity that delivers business value of some sort.
Re: Distribution of colors in movie posters between 1914 and 2012
#47Earlier quoted context omitted.
There are many people who would call $2500 their two day rate. So, $10k+ doesn't seem that far fetched for a project of this complexity that delivers business value of some sort.
People who charge $150+/hour are rarely working 8 (billable) hours a day.
There are infinite ways you could add a ton of value to this project that would be worth more than $5k. Automating the data retrieval and plugging it into mechanical turk for verification, being able to critique or comment on the deeper meaning of the change in colors. Or even online marketing to get the backlinks for a business could potentially be worth $10k.
Re: Distribution of colors in movie posters between 1914 and 2012
#48Re: Distribution of colors in movie posters between 1914 and 2012
#49Earlier quoted context omitted.
People who charge $150+/hour are rarely working 8 (billable) hours a day.
I think that's far. I mostly posted because I don't want people to believe that $5k is the most you could get for this project. There are infinite ways you could add a ton of value to this project that would be worth more than $5k. Automating the data retrieval and plugging it into mechanical turk for verification, being able to critique or comment on the deeper meaning of the change in colors. Or even online marketi…
It doesn't take that long to make a histogram of a "movie posters year X" Google image search...
Re: Distribution of colors in movie posters between 1914 and 2012
#50Earlier quoted context omitted.
That's why people spouting "open-source is always less quality" and "without paying artists there would be no culture" are so dead wrong. People who feel the urge to create and do, will do so. And to me, things that were created for one's own enjoyment are pretty much always better than things created to be monetised.
Right. Can you imagine a film with the quality of Toy Story being produced just for fun? Not a chance. ThAt film took thousands of man-years to make. The whole open source everything movement is just communist nonsense that typically comes from people who have never had to make a payroll. Rails for example was the open source result of a profit-creating piece of software: Basecamp. The profits enabled the open source…