Earlier quoted context omitted.
Your conclusion is the exact same one the above essay comes to in the next paragraphs. It concludes that the "alignment" between MrBeast and his work is a result of the larger thesis: creators are ultimately created by the audience conditions of the platform. Or, authenticity doesn't mean much when the root of the creator isn't a ground truth, but a synthesis of demand.
We do not come to the same conclusions. The last paragraph is this: “Luckily, I’d say I’m a pretty predictable guy.” Luck has nothing to do with it, Mr. MrBeast. Your predictability is the result of years of an information diet consisting of audience feedback metrics. You are the proudest creation of the YouTube Apparatus." Audience feedback metrics are only part of what a creator does. They are people with complex m…
It's a view I sympathize with, even though I'm reticent to apply it to specific cases like this. Rather, when we look at these systems, we should treat their demands as prescriptive, rather than descriptive. Spotify is an excellent example. Say the recommendation algorithm starts recommending a genre, but not for any aesthetic reason. Over time other musicians that internalize the aesthetics associated with that genre and will succeed because they also get picked up by the algorithm. These artists are succeeding by making algorithm bait, but they're also being authentic because the algorithm they're courting shaped their sensibilities as artists and as people.
The article isn't making a novel observation that people are shaped by the systems around them but applying that idea to the creator economy.