Ghost In The Shell suffers from really dragging in the middle. There's a bunch a bunch of sequences which go on just way too long for the total amount of plot in the film, and there's a lot of missing context for the main character's motivation: we just kind of get a couple big exposition dumps, but no real feel for who the Major is or why the core conceit of the plot matters to her. The Stand Alone Complex series, c…
I kind of like that we’re thrown headfirst into this world without a ton of exposition around motivations and whatnot. It feels _a lot_ like Blade Runner that way (my favorite film) — sort of confounding and urgent. And you’re teased with these glances and sprinkles of a very intriguing world. All of this is to say I think the movie is just fantastic and I regularly find new things to love about it on each rewatch.
I really like this part of fiction and media as well, because it forces you to do some work piecing everything together, so you feel a bit like a detective as well. Way better than superhero movies where you are spoonfed everything. It's a common narrative device found in Phillip K. Dick books, one of which Blade Runner is based off of. I really like the way it builds suspense.