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Apple brings Final Cut Pro and Logic Pro to iPad

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Re: Apple brings Final Cut Pro and Logic Pro to iPad

#361
Hm.. I have had Logic (OSX) for a while. It wasn't cheap but it was fairly priced. And they supported all you can eat upgrades (admittedly, not very many major versions). Sort of a bummer that it's a subscription model on iOS.

That said, it's totally worth $49/yr if it's part of your workflow.

For me, I'll just continue use a MacBook, until I can't.

Re: Apple brings Final Cut Pro and Logic Pro to iPad

#362

Earlier quoted context omitted.

It's not just non-Apple devices. I use my iPad to make music and sketches, and sometimes I need to move files between my iPad and MacBook. Airdrop almost never works, and transferring in the Files app is confusing--sometimes the file won't appear in the relevant app, or sometimes it appears twice, and it's not clear which is the newer version. I often resort to emailing the files back and forth to myself as attachmen…

AirDrop is - by far and large, especially in the Apple ecosystem - the single most unreliable, almost guaranteed-not-to-work piece of software I’ve used. It works - for me - with any combination of Macs; old or new, desktop or laptop, on any given network configuration; in any location - about 3 or 4 out of ten times I give it a shot. It’s honestly baffling to me how Apple has for more than a decade shipped a major f…

Same experience here. I've been using Macs and iOS devices for over a decade, and while I cannot say that it never works, I could count the successes on one hand (granted, I don't try very often after so much failure). I've even tried setting the "allow me to be discovered by" option to "everybody", and it still fails.

Maybe the problem is me, but I'm good at computers. I can make them do almost anything else in the catalog. Airdrop is a glaring exception.

Re: Apple brings Final Cut Pro and Logic Pro to iPad

#365

Earlier quoted context omitted.

Also if you want to do just one project (i.e. you don't produce music/video for a living, but you know enough to do your own stuff), then you can probably get away with paying $5 a month for just enough months to finish your project. That was a use case completely uncatered for with a $400 one-off license fee.

Yep, I totally forgot about this use-case, but there were plenty of situations where it would've saved me. With one a couple a years ago that I vividly remember. I volunteered to edit a demo video for our internal hackathon project, and had both an M1 iPad and a new macbook. I wanted to go all out on the video just for the fun of it, and I still had some of the final cut pro muscle memory from many years before, even…

iMovie for iPhone doesn't even let you author in 9:16, which is criminal.

I find iMovie for Mac pretty useful, honestly.

Re: Apple brings Final Cut Pro and Logic Pro to iPad

#367
post #259

Earlier quoted context omitted.

I think there's a difference in conversation style here. If somebody says "I think x" I've always felt it was entirely reasonable to respond with "I disagree because y" - that's not being argumentative, it's just having a conversation. You're not the first person that seems to feel differently about whether or not it's impolite to respond in this way. It just always surprises me when I hit this particlar difference i…

That’s fair, and perhaps an issue of tonality being lost in text or cultural differences in speech styles . though part of the issue is “I disagree because Y” is not relevant because it’s an opinion with no negative effect on those who disagree (as opposed to say opinions on very factual science). So “I disagree because Y” is implicitly a rebuttal. Instead , the subtly different “I see where you’re coming from howeve…

Yeah. I probably would have found smoldesu a little brusque if they were replying to me. But on the other hand I'm sure I'm a little too brusque for by other people's standards.

What's the human version of Postel's Law?

Re: Apple brings Final Cut Pro and Logic Pro to iPad

#368
It really says a lot about the future of editing. Everyone doing it on their phones is growing up showing us what editing packages are going to look like… and it’s something like this. Big screen, touch interface, more fluid work flow, definitely going to be ai assisted… it’s interesting timing.

I feel like Apple is going to do the magic they did for spell checking with the iPhone keyboard for professional video editing. Might take them a while but this fcp finally evolving to the iPad feels like the bellwhether.

Anyone else see the trend? 3-4 generations down the line probably. But do you see it?

Re: Apple brings Final Cut Pro and Logic Pro to iPad

#369
post #301

Earlier quoted context omitted.

iOS devices don't support downloading specific versions of apps, and you cannot sideload. Apple has made this model impossible on iOS.

You could approximate it with extensive feature flagging to disable/hide new features for people with old "versions" of the app.

[deleted]

Re: Apple brings Final Cut Pro and Logic Pro to iPad

#370
post #11

Having a full DAW on the go is a killer feature imho. The promise has been there since stuff like 8tracks on the iPhone 3G, and various Audio Units already on iOS. But I’ve always found the workflow very limiting or clunky. (Edit: I’m a Logic Pro user on macOS so my comments reflect getting things into that specifically) The divide from putting down an idea when it hits, to working it into something, has always been…

The idea that any piece of gear enables artist is one of the biggest lies we have been sold. True Artist will use any tool at their reach to do art. In terms of music the level is so high already that is irrelevant. Sound is not music.

Saxophone player of adequate standard here ... yeah the gear shouldn't matter and you can get good stuff out of garbage with the right pre-existing skills and attitude. But on the other hand I've upgraded my two main instruments recently-ish from low/mid range instruments to high end, and in both cases my playing improved a lot instantly, as suddenly I didn't have to work so hard to get the instruments to cooperate[1]. However having to work around the limitations of my old instruments also improved my skills too.

[1] having a good soprano sax that basically plays itself feels like cheating, but one of the reasons for that is having developed the skills to keep crappy sopranos cooperating reasonably well for so long too.

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