That's an interesting idea, and a stone killer idea for jazz (imagine following the links from "Kind of Blue," where I think every player has their own discography to explore), but the utility wouldn't be limited to jazz.
Having prominent album personnel as links in really ANY popular music service would be great -- very often, players or producers on album A are also on album B, and that could lead to interesting discoveries for people.
I mean, this thing happens already, but only if you're motivated to read liner notes. 30+ years ago I figured out the cool atmospheric sounds I loved on THE JOSHUA TREE were probably because of U2's collaboration with Brian Eno and Daniel Lanois. When I realized both had albums of their own (and other artists with whom they collaborated) I had multiple new paths to explore.
Lanois resonated more with me than Eno, so I followed his work, which led me to artists I wouldn't have listened to otherwise for genre reasons or whatever.
It's also fun to pull on the producer thread sometimes. Lanois's track "The Maker", from his 1989 record ACADIE, shows up as a cover on several OTHER records he produced or otherwise influenced. Emmylou Harris included it (plus another of Lanois' songs) on her 1998 live album SPYBOY, which was the direct followup to the Lanois-helmed WRECKING BALL from the year before.
Willie Nelson included it on his 1998 collaboration with Lanois, TEATRO, which is an underrated and somewhat forgotten gem in his discography. It's NOT what you'd think of when someone says "country album."
(Eventually, the song became part of the Dave Matthews Band's live rep, even.)
Anyway, back then, you did it by reading liner notes, but digital music makes it less likely that you'll mull over the CD booklet while listening today. The good news is that the tech exists to make those paths more obvious now.