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Apple Music Classical

learn.applemusic.apple

211–220 of 473 posts

Re: Apple Music Classical

#211

Earlier quoted context omitted.

Why would anyone want to listen to it then? what would be the point? The acoustic equivalent of a screensaver?

> The acoustic equivalent of a screensaver? It already exists, and is known as elevator music or muzak. I can certainly see the value in generating endless copyright-free background music, because so many human effort has been put into composing it already.

Sure, but the OP point was specifically about Classic Music, not incidental soundscapes.

Re: Apple Music Classical

#212

Earlier quoted context omitted.

If utilitarian means "I enjoy listening to it", I proudly am one.

Well naturally if your relation to art is that shallow then to you it is a genuine risk that it might be replaced by an AI version.

I don't think we'll end up agreeing, but I'm curious what "deeper" ways to enjoy music than listening to it you favor?

Re: Apple Music Classical

#213
post #37
post #24

Strange feelings looking at this... This is almost exactly the product I failed to get into YC with back in 2017... All the same ideas as far as the UX goes with one main difference: the business model. I wanted to apply the Steam business model where people would actually buy album again (and not tracks a la iTunes). The issue is that while it's nice to have a UX tailored for classical, this won't likely help the cl…

I've used Idagio for 6 months. They have a reasonable interface, good performances and sound quality, but their catalog is indeed limited. There are hundreds of performances of the same well-known works, but there's not (very) much beyond it. I've discovered about 100 fairly unknown composers through YouTube that I consider quite good, but many of them are missing from Idagio, or are listed with one or two works. The…

Any youtube recommendations?

Re: Apple Music Classical

#214

Am the only person who finds it completely ridiculous that not even APPLE can launch the iPad version of this app at the same time as their iOS one? I launch it on my iPad (which is hooked to my external dac/amp setup via usb-c) and I see.. This: https://imgur.com/a/cAX0zZA

They are being pretty agile and releasing something for iOS and will iterate to release a custom iPad version later, relying on the fallback mechanism that has existed for years for app scaling. Why does this upset you so much? Just because they are big doesn't mean they have to do everything all at once, all the time. They are dog-fooding their own multi-device app tech. I think it's great.

Re: Apple Music Classical

#215
post #120
post #97

Earlier quoted context omitted.

I know about nyquest, do you? 192kHz sampling rate means the highest tone representable is 96kHz, which is roughly 80kHz more then what the average human can actually (still) perceive. For audio-postprocessing, I might be convinced that there is a benefit of raising the sampling frequency that high, but for pure hi-fi consumers? No way. This is snakeoil.

That's an unconvincing argument because the presence of ultrasonic sounds can affect human perception. It is just not perceptible via the exact same mechanism that ordinary sound is. The argument you should be going with is that the speakers and headphones that people will be playing the music on doesn't do ultrasonic sound.

"ultrasonic sounds can affect human perception. It is just not perceptible via the exact same mechanism..."

talk about unconvincing

Re: Apple Music Classical

#217
This actually sounds pretty cool, I was actually thinking of this the other day: classical music is an entirely different beast of finding things to listen to, you can't just "pick a band and album in a genre".

For example: if I want to listen to Mozart, and I've never listen to any of his compositions before where do I even start to look to find a "good interpretation". You can't just search for Album/Artist.

Weird how Apple can read my mind.

Re: Apple Music Classical

#218
post #41
post #24

Strange feelings looking at this... This is almost exactly the product I failed to get into YC with back in 2017... All the same ideas as far as the UX goes with one main difference: the business model. I wanted to apply the Steam business model where people would actually buy album again (and not tracks a la iTunes). The issue is that while it's nice to have a UX tailored for classical, this won't likely help the cl…

Orchestral music has always depended largely on essentially donations, back to the patronage that kept many of the great composers at least fed, if not rich.

This is basically all art.

Re: Apple Music Classical

#219

This treatment would also be very welcome for Jazz - I want to hear My Favourite Things but I don't want Julie Andrews

I'd like that as well. For a while I thought https://jazzed.com/ would eventually be this, even thought it was just available in the UK. But now they seem like they've moved to focusing on live performances.

Re: Apple Music Classical

#220
post #173

> There’s no separate subscription for Apple Music Classical. It’s included at no extra cost with all Apple Music subscriptions except the Apple Music Voice Plan. Bit of a missed opportunity here to provide a cheaper subscription just for Classical. Apple could have captured Spotify users who would be willing to pay a small premium for a nicer classical UX, but would be unwilling to take out an additional full-priced…

Missed opportunity....

Cheaper...

You know we're talking about Apple right?

In all seriousness, they don't like creating multiple SKUs for things. For simplicity and user friendliness sake.

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