Live data from Hacker News

Why I'm a Pirate

ploum.net

341–350 of 527 posts

Re: Why I'm a Pirate

#341

Earlier quoted context omitted.

So basically what you are saying is that the truckers should get with the times but the artist shouldn't? We live as you say in a disruptive age and this applies in no small part to artists. As with regards to the starving artists. Let me remind you that the kind of artists that actually have spent many years becoming good have always been struggling and always needed to do live gigs. They are very different than tho…

>So basically what you are saying is that the truckers should get with the times but the artist shouldn't? You're playing a game that has nobody's interests at hand. Yes I'm saying this because 'truckers' are going to get left behind. You still haven't answered the question of whether we should live in the digital age or not. >Let me remind you that the kind of artists that actually have spent many years becoming goo…

I lived as a musician for some years. I think I have a pretty good understanding on how it works and I am playing no game at all.

Plus I have both a product out (cost money), a service out (free), have a design agency.

I don't say that artist shouldn't make money. I think they should when they work. But claiming that it's somehow a right for musicians to keep reaping the benefits of digital distribution but not those related to it, is in my mind wrong and not serving the anyone.

Truckers and musicians who don't conform to the new reality is going to be left behind.

It's really that simple. Of course they will try and get the government to protect their interest and it will have people helping them defend that.

But it's not a fair game.

And artist neither are nor will be eternally poor. It's a poor argument. There will always be people who make money on their creations, they will just have to do it differently than what we do today.

Technology is always a double edged sword. No one, not even artist can escape that.

Re: Why I'm a Pirate

#342

Earlier quoted context omitted.

> Granting the creator such rights takes them away from everyone else. Why is that justified? Why should one person, the creator, be able to tell other people what they can and cannot do? Then the alternative is that all creators keep their output to themselves and people with this entitled attitude never get to make use of their work. Or maybe they don't make something at all. Or maybe they don't even try to learn t…

Why is it that the folks defending copyright always pull out the "But then creators will take their balls and go home!" card? That's such a repugnant, faithless argument. Numerous examples exist of people creating in spite of the system--and even making a living doing the same! So, the entire issue for indie developers (of whose ranks I count myself a member) can be solved by not making a product until you confirm th…

Not all creators take their balls and go home. But enough will for it to be notable. Yes, there are those who will either deal with piracy and those who will give away their work freely. Those people will never go away but in a world without copyright we may not have had a Steve Jobs or a Bill Gates to play such a crucial role in the development of products we all use and love. I'm sure someone else may have created them but who's to say their version would be as good? I love FOSS software but I have to say I'm not going to pretend that all Open Source alternatives to copyrighted software are just as good. There's a lot to be said for the polish that comes from being funded. It's about business and it's no secret. The big evil companies make these polished products that are more enjoyable to use because they make money And are able to make money because they enforce the copyright on their work as much as they can. I also like local indie bands. I know a lot of them have a lot of their music too. It's true that they make most of their money touring and they give away a lot of their music for exposure free. But guess what? As great as their music is their records lack the polish that a major label album has and it quite frankly hurts them.

Your solution for indie developers sounds extremely far fetched and idealistic. "I'm developing software that does X, Y, and Z. If you like how that sounds then pay me before it's finished and then if I ever do finish it you'd better hope it lives up to what I said it would do. It's okay if it turns out to be garbage because you get to do whatever you want with it once I give it to you"? That doesn't scale. You're paying for what the software does for you, not for the actual software itself. It's a form of paying for a service. Some of the cost is for development but the core of what you pay is for the value you derive from it. Ideally there's a free trial and you see if you like it. Then you decide whether the cost lines up with what you're willing to pay based on the value you derive from it. In the end you're free to go elsewhere if it doesn't line up. It's a great system for all parties. I don't play any games but I do enjoy music and movies. The idea that entertainment as an industry being silly isn't relevant. We're talking about opinions here so I don't want to totally discount yours but I think it makes perfect sense for entertainment to be an industry. That's the nature of capitalism. Anything can become an industry if you set it up right. You can say the same of any industry but if that became the norm than business as we know it would cease to exist and everything would be a hobby. That sounds like entitlement. Like saying "I should be able to see movies, plays, concerts, etc. free because that's just a hobby and they should go get real jobs".

Living off donations can work I'll admit but it doesn't scale. Creators should be able to set the price for their work just as consumers should not be forced to pay for anything. But if you're not paying the creator what he asks then you aren't entitled to set his price or take it free. The market does that.

I know there will never be a right time for this just like anything but realistically we're not even close to being set up for such a switch. While I disagree with you right now and I think your position is a little extreme I have to say that the work of people like you will get us to a point where that switch may become a real possibility. I'd argue instead for everyone to agree on some middle ground but whichever way things go I will abide.

There is a sanity to copyright. There are competing interests between creators and consumers. That's part of what makes the market. Frankly, I'm surprised that people are defending only one side of this since we are all both creators and consumers. We can't give consumers all the rights and leave creators with no control of their works but we also can't give creators so much control that they seriously impede on the rights of consumers.

A lot of the rhetoric surrounding this seems to be focused on copyright but what I see is an anti-business position. We can't let ourselves go to extremes in the name of freedom or in the name of business as either would be an unjust crusade. Instead of chopping off our heads to cure a headache lets try to deal with specific issues. Abolishing copyright hurts us as much as letting copyright extend beyond its current state. The biggest issue I see is the distribution issue. We need to come to some agreement on what is legal when it comes to "sharing" among other things.

I'm not in favor of SOPA or it's relatives. I think copyright has become a monster. But I still support the idea, not the implementation. For a community that benefits from copyright so much I don't understand why so many are taking such an extreme position. I'd rather see us be more moderate. It's more same to call for shorter copyright terms and such than to get rid of it. When people argue about middle men screwing over artists and consumers we should be finding a way to either get rid of middle men or curb their power without totally obliterating copyright. Copyright can serve to keep works free just as much as it can restrict freedoms and most people forget that. Artists should get together and unionize for a higher cut of profits.

I wonder what would happen if record labels were fair to their artists. Would all the people bragging that they're pirates because it's morally wrong for labels to pay such a pittance still use that argument or has it just been a petty excuse all along? I get the feeling that a lot (but not all) of these "freedom fighting pirates" are doing things for their own self interest and not for any moral reasons at all.

So I disagree still. I'm not one to stubbornly hold an opinion to be right. So I'm interested to learn more but i think this position isn't just one position but part of a package deal that comes with an entire worldview that I don't understand.

Re: Why I'm a Pirate

#343

Earlier quoted context omitted.

> Granting the creator such rights takes them away from everyone else. Why is that justified? Why should one person, the creator, be able to tell other people what they can and cannot do? Then the alternative is that all creators keep their output to themselves and people with this entitled attitude never get to make use of their work. Or maybe they don't make something at all. Or maybe they don't even try to learn t…

Why is it that the folks defending copyright always pull out the "But then creators will take their balls and go home!" card? That's such a repugnant, faithless argument. Numerous examples exist of people creating in spite of the system--and even making a living doing the same! So, the entire issue for indie developers (of whose ranks I count myself a member) can be solved by not making a product until you confirm th…

They won't be taking their balls and going home out of pique, they'll be doing it because they have to go to work.

Every hour an artist has to spend at a day job is an hour they can't spend creating. It's an hour they can't spend practicing. It's an hour they can't spend raising awareness of their work.

Re: Why I'm a Pirate

#344

Earlier quoted context omitted.

Of course not, that requires their physical presence and physical distribution. Very different.

And in most cases you pay for a unique concert, sure it's the same songs as the last show but musicians rarely play the music exactly the same way. The best concert include a lot more than just playing the songs. It's worth paying for. The best concert artist put on an act and improvise on stage. It's not easy and it takes talent and work.

The so called talent of many popular musicians is greatly overrated.

It's not how things work.

Re: Why I'm a Pirate

#345

Earlier quoted context omitted.

You wrote: "Unfortunately, if we take your idea to its natural conclusion, a lot of industries that create and distribute valuable works are going to change direction or possibly split several ways." This is not a strong argument. I could equally look at the time of the enlightenment and say "if people weren't forced to give their money to the Catholic church, think of all the lovely buildings and choral music we'd b…

> There is no demonstration that an economy with copyright is superior to an economy without copyright, and plenty of current and historical annecdotal evidence to suggest that copyright is strongly detrimental to economic success. Which you haven't cited, I notice. If an alternative economic model provides a more effective incentive than copyright, then it is unlikely that today's copyright laws prevent anyone from…

    > Which you haven't cited, I notice.
OK. I claimed something and didn't cite.

I'll take another angle. Live-and-let live should be the default case. Copyright is an intrusion on this. If someone wants to drive a tank through freedom by introducing something like copyright, then the onus is on the tank drivers to make the case that the benefits justify the intrusion on freedom.

I've never seen a remotely reasonable attempt at putting that case. The best you get is claims that people wouldn't produce things unless they had vast legal protections and that's plainly false. Mendelssohn wrote symphonies. I write code, in a commercial setting, with copyright not being the justification for it.

Handel is an even better example, because it's well documented that he rearranged lots of previous stuff. We wouldn't have any record of some of those earlier tunes had he not repurposed them in his own works. Handel's _Israel in Egypt_ could not be performed or distributed under current western-world copyright law.

"If an alternative economic model provides a more effective incentive than copyright, then it is unlikely that today's copyright laws prevent anyone from adopting that model instead and reaping the rewards."

When you have copyright law it creates a powerful lobby group and any attempt at reform will come up against them. Much as with my discussion about the church above - an institution that impeded progress and freedom, but which fought ferociously to retain privilege at every step.

What could cause the dam to break would be a major economic slump and a desperate move to try something new to attract smart people. Or something like SOPA may be a step too far, and cause Sweden or New Zealand or Singapore or a special economic zone in China to make a play at being a free-state-style intellectual capital.

Re: Why I'm a Pirate

#346

Earlier quoted context omitted.

So, I'm a musician. What "physical manifestation" are you talking about? Compressed air? Because as soon as I make a record I have to "guard that physical manifestation" ... how? with SOPA? preventing CD'd from being sold? And in short you deny artists of ownership of anything else than the physical representation (unethical!) But in the next sentence you make the creation "other people's property". If I think of som…

Well put. Ditto, say, a game developer. "Find another way" is great and all for games, if you want a bunch of Facebook monstrosities welded into an always-online authentication framework (or equivalent systems). "But you can sell a version with physical stuff that people want" is similarly silly - I'm not a model-maker or a map-maker, I write software and I'm not going to write software if the only way to make a livi…

"if you want a bunch of Facebook monstrosities welded into an always-online authentication framework" Is Steam such a system? If so, give me more of that, Steam is awesome, and proof that people will buy stuff if the original is better than the pirated copy.

Re: Why I'm a Pirate

#347

Creative effort - or at at least any that is truly worthy of the name - takes tears, and sweat, and blood. We can marvel at the output of an artist, or a writer, or a composer, or a film maker and yet fail to focus on the years of toil that often preceded that work. And I am not here speaking of some isolated genius. I still remember the days when I was so dissatisfied with my lack of writing skills that I decided to…

> The point is that this is my decision. Granting the creator such rights takes them away from everyone else. Why is that justified? Why should one person, the creator, be able to tell other people what they can and cannot do? > In that case, anybody can use it, replicate it, seek to profit from it, claim it as his own, or whatever, all without my having any say whatever in that process. This is a common approach, bu…

Apply this same argument to someone who spends hundreds of hours working so that they can buy a car. This is all done out of self interest. Most people would not conclude that it's okay for someone that a car thief, who steals the car because it serves his self interest. That this is somehow rational and moral because one person's self interest is equivalent to another person's self interest.

Of course people who are anti-copyright will be quick to point out that a bunch of bits on a disk that can be infinitely duplicated is different from a physical car. And that's true. But I'm not talking about that. I'm talking about the blood, sweat, and tears that the creator invests in the act of creation.

I could post more far fetched analogies. It's in a woman's interest to have self control over her body. It's in a rapists best interest to take control of her body. Does the argument that each individuals self-interest is reciprocal apply in this case? Is that the "sensible rational purely moral" conclusion? Of course not. There are a myriad of other factors that need to be taken into consideration.

Re: Why I'm a Pirate

#348

Earlier quoted context omitted.

> > The point is that this is my decision. > Granting the creator such rights takes them away from everyone else. Why is that justified? Why should one person, the creator, be able to tell other people what they can and cannot do? Because, the creative work would not exist if not for the creator. If you take away the creator's right (and I am not arguing that it should be infinite and indefinite), you take away the i…

This is not true. Artist will always make art and always have.

And (currently-existing) lumberjacks have always cut down trees, and (because of an identity now largely grounded therein) probably always will.

Still, I'd rather not have to depend on charity-lumberjacking, you know? If someone wants to chop down trees for free, that's between him and his god (or dryad, as the case may be). If that's the only way trees ever get cut down? God help us all.

Above statement refers, for purposes of argument, to sustainable tree harvesting, so as to avoid irrelevant side tangents.

Re: Why I'm a Pirate

#349
post #347

Earlier quoted context omitted.

> The point is that this is my decision. Granting the creator such rights takes them away from everyone else. Why is that justified? Why should one person, the creator, be able to tell other people what they can and cannot do? > In that case, anybody can use it, replicate it, seek to profit from it, claim it as his own, or whatever, all without my having any say whatever in that process. This is a common approach, bu…

Apply this same argument to someone who spends hundreds of hours working so that they can buy a car. This is all done out of self interest. Most people would not conclude that it's okay for someone that a car thief, who steals the car because it serves his self interest. That this is somehow rational and moral because one person's self interest is equivalent to another person's self interest. Of course people who are…

Your car analogy conflates scarce and non-scarce goods. A better car analogy would be that someone invents a way to create cars for $200 with 3D printers, and so everyone stops buying cars that cost 100x that much. "You wouldn't download a car" and all that. Of course, someone has to create the CAD designs or whatever, but that's a much smaller industry than all the manufacturing that existed before (so, of course, all the people who work in auto factories are upset that they've been made irrelevant).

Re: Why I'm a Pirate

#350
post #348

Earlier quoted context omitted.

This is not true. Artist will always make art and always have.

And (currently-existing) lumberjacks have always cut down trees, and (because of an identity now largely grounded therein) probably always will. Still, I'd rather not have to depend on charity-lumberjacking, you know? If someone wants to chop down trees for free, that's between him and his god (or dryad, as the case may be). If that's the only way trees ever get cut down? God help us all. Above statement refers, for…

Way to go making a comparison that makes no sense at all.

A lumberjack can't digitally mass produce cutting down trees. They have to actually be present at each tree.

Post reply on HN