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The Cancellation of ‘Jihad Rehab’

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Re: The Cancellation of ‘Jihad Rehab’

#31
post #4

Their GoFundMe is doing great. Goal achieved.[1] 75% on Rotten Tomatoes. Selected for Sundance. [1] https://www.gofundme.com/f/the-unredacted-jihad-rehab

I heard about this first from Sam Harris’ podcast. Then went to the go fund me, and Harris gave $25k! I’m not sure why she doesn’t run a kick starter as well. I’d pay to get a digital download of the movie.

Re: The Cancellation of ‘Jihad Rehab’

#32

3h podcast with Meg Smaker on the Waking Up podcast: https://www.samharris.org/podcasts/making-sense-episodes/300...

I almost stopped listening pretty early on because she was all over the place with her talking points, but am really glad I listened to the end. It was a fascinating and moving story.

She came off as a truly one-in-a-million character that you would only expect to read about in works of fiction. Very genuine as well.

Re: The Cancellation of ‘Jihad Rehab’

#33
post #20

The safest play is to create all art as metaphor, just as the writers of great Russian literature did. You can’t be too plain spoken because that opens you up to attack by the mob. Rather, hide your meaning and the censors won’t feel it necessary to ban.

The Russians had to that to protect themselves from the government. “We” for someone reason are doing it to ourselves.

Re: The Cancellation of ‘Jihad Rehab’

#37
> It was the first time that Smaker realized that her film might be controversial. “She hadn’t seen the film,” Smaker recalls, “but seemed unhappy that I — as a non-Muslim — was making a film about Muslims.” After she saw it, Chehab went on to write on the TRT World website: “The only perspective needed is the Muslim one. . . . When I, a practicing Muslim woman, say that this film is problematic, my voice should be stronger than a white woman saying that it isn’t.”

I would encourage folks to resist seeing this as “white versus brown” or “Muslim versus non-Muslim.” Identity politics is not sectarian politics—groups of people with common interests aligning against other groups with different interests. It’s about using identity as currency in politics.

Note the phrasing: “the Muslim [view] … my voice.” The same people who say they don’t want white people to speak also usually don’t want other Muslims, with different viewpoints, to speak either. What she wants to do is to speak for Muslims—use them as silent weight to bolster her own point of view.

Re: The Cancellation of ‘Jihad Rehab’

#38

“More than 230 filmmakers signed a letter denouncing the documentary. A majority had not seen it.” Just a reminder that the far ends of the political spectrum loop back and connect.

This is all reminiscent of the 80s and 90s Christian right groups picketing outside of Rock and Roll concerts demanding that Marilyn Manson be forbidden from playing in their town because of his corrupting influence on the youth, that his music was going to lead to real physical harm. Same with dungeons and dragons before that. Had any of them ever listened to that music? Ever played a D&D session? Nope. It's interes…

It predates Marilyn Mason by many years. Black Sabbath in the 70s and Ozzy Osbourne (solo) in the early 80s come to mind.

Re: The Cancellation of ‘Jihad Rehab’

#39

Earlier quoted context omitted.

This is all reminiscent of the 80s and 90s Christian right groups picketing outside of Rock and Roll concerts demanding that Marilyn Manson be forbidden from playing in their town because of his corrupting influence on the youth, that his music was going to lead to real physical harm. Same with dungeons and dragons before that. Had any of them ever listened to that music? Ever played a D&D session? Nope. It's interes…

It predates Marilyn Mason by many years. Black Sabbath in the 70s and Ozzy Osbourne (solo) in the early 80s come to mind.

Totally fair. The whole playing records backwards trolling for audio that might sound like satanic verses, whatever that means, comes to mind.

Re: The Cancellation of ‘Jihad Rehab’

#40
post #20

The safest play is to create all art as metaphor, just as the writers of great Russian literature did. You can’t be too plain spoken because that opens you up to attack by the mob. Rather, hide your meaning and the censors won’t feel it necessary to ban.

metaphors had worked in Tzar's Russia because the regime was lenient. the mob in question here is not.
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