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Visual effects for the Indian blockbuster “RRR”

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Re: Visual effects for the Indian blockbuster “RRR”

#271
post #136

Earlier quoted context omitted.

I’m Indian and I didn’t see those either. There’s no scenario in which slate/vox would have written a ideologically uncoated positive review of this movie.

I’m Indian and I saw it when I watched the movie. Your comments show you have a right wing attitude to these things and I doubt you’d have therefore picked up on it since it affirms a particular world view.

[deleted]

Re: Visual effects for the Indian blockbuster “RRR”

#272
post #69
post #48

Earlier quoted context omitted.

What would you recommend to watch instead?

Given the number of movies made and regions, and decades, I’d run out of breath. But I’d start here. Malayalam Films : Known for their subtlety and craft in film making, and obsession with crime novels. Dhrishyam part 1 & 2 are like no movies I’ve seen in Hollywood. Hindi Films: Or Bollywood movies, known for their big stars, great attention to set pieces of grand dance sequence s and decent romantic comedies / sport…

Ugramm (Kannada), Maanagaram (Tamil) and Aiyappanum Koshiyum (Malayalam) from top of my mind.

Note there are critically acclaimed Malayalam Movies that not everyone would like (Eg: Thondimuthalum Driksakshiyum, Maheshinte Prathikaram), they are so slow paced that average viewer would doze off. There's a perception that more realistic is always better. But that's not always true. IMO Tamil middle budget movies get pacing better than Malayalam, for average audience at least.

Re: Visual effects for the Indian blockbuster “RRR”

#274
post #263
post #185

Earlier quoted context omitted.

> Topological naming problem is way worse than in paid CAD software. It's very difficult to edit old constraints without breaking new actions as they're replayed: https://wiki.freecadweb.org/Topological_naming_problem This is the single, number one, absolute must fix problem in FreeCAD. All other FreeCAD work should stop until this gets fixed. Period. Broken constraints were bad enough, but as an amateur I could live…

> All other FreeCAD work should stop until this gets fixed. Period. Ha ha that's exactly what would happen if FreeCAD was a company and had a product manager, but it's very unlikely that would happen organically. Maybe some day a megacorp will get so pissed off by solidworks licensing that they fork FreeCAD, rewrite opencascade, fix the high priority bugs, and release code+binaries out of spite. A man can dream.

Why? We have several open source file-systems and if they started to corrupt your harddrive, people would run away from them.

Re: Visual effects for the Indian blockbuster “RRR”

#275
post #69
post #48

Earlier quoted context omitted.

What would you recommend to watch instead?

Given the number of movies made and regions, and decades, I’d run out of breath. But I’d start here. Malayalam Films : Known for their subtlety and craft in film making, and obsession with crime novels. Dhrishyam part 1 & 2 are like no movies I’ve seen in Hollywood. Hindi Films: Or Bollywood movies, known for their big stars, great attention to set pieces of grand dance sequence s and decent romantic comedies / sport…

> “Zindagi Na milega dubara”

Yeah this movie was made for a very specific audience going through a certain age and point in life, ('buddy road movie' but made for Indian millennials) hardly a great work of art.

First it was 'Dil Chahta Hai', when the Indian millennials were of college age or around that time. A movie about three friends hanging out and dreaming of the future they will have with the kind of partners they would hope to be with.

'Zindagi Na milega dobara' is about a early-mid career Indian millennials facing marriage, work issues. It's not a bad movie but the popularity and greatness of it comes from it being apropos for Indian millennials.

On the top of that there is a 'class' thing going on here, where RRR's target audience is a different class, and have an Inglorious Bastard style experience. Just like 'Dil Chahta Hai'/'Zindagi Na Milegi Dobara' are for the educated millennials class.

Re: Visual effects for the Indian blockbuster “RRR”

#276

Earlier quoted context omitted.

> thats a ridiculous extrapolation This person also said that AI porn will destroy all the current porn companies in 10 years and that small groups of people will soon be able to make entire movies, so I wouldn't take their extrapolations too seriously.

Every other day I see some new machine learning post here about how you can make a computer generate all sorts of content. A few days ago I saw an article about AI generated art winning first prize in some contest, people lost their minds when it was revealed the art was generated by AI. I don't think holodeck style content generation technology is too far off. Maybe one day they'll generate computer code too.

Art and especially art competitions are nothing objective.

Re: Visual effects for the Indian blockbuster “RRR”

#277

Earlier quoted context omitted.

> thats a ridiculous extrapolation This person also said that AI porn will destroy all the current porn companies in 10 years and that small groups of people will soon be able to make entire movies, so I wouldn't take their extrapolations too seriously.

> This person also said that AI porn will destroy all the current porn companies in 10 years and that small groups of people will soon be able to make entire movies, Here's the thread in question [1] where I made that claim. > so I wouldn't take their extrapolations too seriously. Long bets 10 years $10,000. Let's go. I'm serious. Not that this is my thing (it isn't), and not to yuck anyone's yum, but my field has a…

> do they threaten the porn industry.

In which world do you think the porn industry is just going to wait around doing nothing instead of exploiting these tools and resources for their own benefit?

Re: Visual effects for the Indian blockbuster “RRR”

#278
post #49

Earlier quoted context omitted.

> embarrassed Why are you embarassed?

Indian action films typically don't strive for believable action scenes, like American films do. Instead, they apply the effects and stunts excessively -- they go over the top in a major way. The embarrassment is for the comparably unsophisticated tastes, and I don't share the feeling but I can understand. It's like everyone discovering that your uncle is addicted to something cheap and insubstantial that only childr…

I think the problem here is connecting "unrealistic and over the top" with "unsophisticated" without any introspection.

Re: Visual effects for the Indian blockbuster “RRR”

#279
post #61

Earlier quoted context omitted.

> Indian action films typically don't strive for believable action scenes, like American films do. I'm taking your "believable American action scenes" with a big semi full of salt.

>a big semi full of salt Let's have the semi jump off the end of an unfinished highway overpass and do a barrel roll. While the truck is slo-mo flying through the air we'll cut to a ground shot of a middle-aged dad about to salt some meat on the grill, but the barrel-rolling truck overhead spills just the perfect amount of salt on his burgers so he just looks up and shrugs. Finally we'll cut back to the massive explo…

Quippy nonsense between wild over-the-top action is basically the calling card for Marvel movies.

Re: Visual effects for the Indian blockbuster “RRR”

#280
post #74

Earlier quoted context omitted.

I think I understand what you’re saying but it was a large spanning tale and though there may be some parts that are cringey I thought overall it kept my interest and had something for everyone.

I agree that RRR has its place. Like so many other Avenger style genre movies. The problem is that it just advances a stereotype and bias about what an American audience expects when they sit down to watch a Korean film, or a Chinese film, or an Indian film. They are all just films, just like Hollywood makes different genres, these countries make films in every genre. At least the Indian film industry is a behemoth l…

Should a movie largely intended for a domestic audience be responsible for not fitting into a foreign stereotype of the domestic movie industry, largely held by people who have seen literally zero movies made in India? If Americans want to decide that all movies produced in India are huge over the top ridiculous action-fests interspersed with dance sequences then that's their own problem.
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