Earlier quoted context omitted.
Just a meta-comment, but your reply was really good until the last sentence. > Sounds like you need some more research into macrophotography That undermined your otherwise very factual rebuttal/clarification because it seems like at best an impossible standard (everybody could always use more research into anything), and at worst a "you don't know as much as me" veiled in professionalism/passive aggressiveness. The i…
I find that last line perfectly justified. OP’s post was incredibly dismissive and incorrect but was written as if it was from an expert. It’s textbook misinformation as far as I am concerned.
Apple unveils the best photos from the Shot on iPhone Macro Challenge
41–50 of 165 posts
Re: Apple unveils the best photos from the Shot on iPhone Macro Challenge
#42The trick to getting the best out of camera phones is to shore up their weaknesses with external devices. Cell phone cameras are multiple stops slower than "real" cameras (i.e. they take in 1/4 to 1/8th as much light). So you add light to the scene to shore up that weakness. Most of these pictures were probably lit very carefully with high quality lights, or else were taken in bright daylight, and the phone was proba…
> But you'd probably have an easier time of it on a five year old aps-c camera with a macro lens, to say nothing of modern cameras. That's probably true but as a casual hobbyist, it's so much easier to justify spending $1k on a phone and a few hundred on apps than getting buying a legit macro camera setup, especially used camera equipment. I was frustrated by the macro limitations of the iPhone 13 pro and started per…
Re: Apple unveils the best photos from the Shot on iPhone Macro Challenge
#43The trick to getting the best out of camera phones is to shore up their weaknesses with external devices. Cell phone cameras are multiple stops slower than "real" cameras (i.e. they take in 1/4 to 1/8th as much light). So you add light to the scene to shore up that weakness. Most of these pictures were probably lit very carefully with high quality lights, or else were taken in bright daylight, and the phone was proba…
When photography was a bigger hobby for me I had an old digital camera that had a great lens, but tiny sensor and could be slow exposure wise. It did have a great set of built in color modes that I had trouble emulating in software ( and didn't want to spend time on that a great deal ) so I kept around and got a cheap-o mono pod and blamo it's slow nature was less of an issue.
Folks with fancy new equipment seemed to struggle emulating what I got with relative ease.
Now I probably couldn't emulate what they did in many situations, but I didn't try either, I knew what that equipment could do and it worked.
The world of photography is a funky world of pixel peepers, TRUE---ish advice, and folks throwing tons of money at equipment and software and hours of editing and ... just sticking with some specific equipment for a while / learning it's nature can save you A LOT of time and money.
Re: Apple unveils the best photos from the Shot on iPhone Macro Challenge
#44The trick to getting the best out of camera phones is to shore up their weaknesses with external devices. Cell phone cameras are multiple stops slower than "real" cameras (i.e. they take in 1/4 to 1/8th as much light). So you add light to the scene to shore up that weakness. Most of these pictures were probably lit very carefully with high quality lights, or else were taken in bright daylight, and the phone was proba…
> But you'd probably have an easier time of it on a five year old aps-c camera with a macro lens, to say nothing of modern 35mm cameras.
The iPhone camera really is fantastic for what it is (economies of scale are an amazing thing) but you're not wrong. Doing this sort of photography work on an iPhone is more about the challenge than the capabilities.
One of the interesting things about photography is that so many capable cameras and lenses have been produced over the past couple decades that you can stop by eBay and pick up some truly capable gear for relatively cheap if you do your research. It's tempting to get pulled into the world of modern full-frame cameras and the latest glass, but the truth is that an older mirrorless camera combined with some known-good old glass will produce amazing photos.
Re: Apple unveils the best photos from the Shot on iPhone Macro Challenge
#45Earlier quoted context omitted.
All Macro photography requires extra light, it's not just anything to do specific to cell phones. That's why there are so many flash rigs designed for this. Also, the iPhone 13 camera has ridiculously fast lenses[0]: Pro 12MP camera system: Telephoto, Wide, and Ultra Wide cameras Telephoto: ƒ/2.8 aperture Wide: ƒ/1.5 aperture Ultra Wide: ƒ/1.8 aperture and 120° field of view If you search for lenses for "real" camera…
Just a meta-comment, but your reply was really good until the last sentence. > Sounds like you need some more research into macrophotography That undermined your otherwise very factual rebuttal/clarification because it seems like at best an impossible standard (everybody could always use more research into anything), and at worst a "you don't know as much as me" veiled in professionalism/passive aggressiveness. The i…
Re: Apple unveils the best photos from the Shot on iPhone Macro Challenge
#46Earlier quoted context omitted.
> But you'd probably have an easier time of it on a five year old aps-c camera with a macro lens, to say nothing of modern cameras. That's probably true but as a casual hobbyist, it's so much easier to justify spending $1k on a phone and a few hundred on apps than getting buying a legit macro camera setup, especially used camera equipment. I was frustrated by the macro limitations of the iPhone 13 pro and started per…
>few hundred on apps I don't even understand what you think you're going to buy that will make you a good macro photographer for hundreds of dollars. Hundreds on apps instead of dedicated macro hardware? I can't imagine that will do anything but waste hundreds of dollars.
Re: Apple unveils the best photos from the Shot on iPhone Macro Challenge
#47The trick to getting the best out of camera phones is to shore up their weaknesses with external devices. Cell phone cameras are multiple stops slower than "real" cameras (i.e. they take in 1/4 to 1/8th as much light). So you add light to the scene to shore up that weakness. Most of these pictures were probably lit very carefully with high quality lights, or else were taken in bright daylight, and the phone was proba…
Re: Apple unveils the best photos from the Shot on iPhone Macro Challenge
#48I get the feeling that iOS runs photos through a neural net filter by default. It would be nice to know exactly what is behind any given shot, both my personal images and those of a collection/competition like this. Thus armed with knowledge, only then can we truly judge for ourselves.
Re: Apple unveils the best photos from the Shot on iPhone Macro Challenge
#49Earlier quoted context omitted.
> If you search for lenses for "real" cameras with those apertures and focal lengths, you'll find 4 digit price tags for each one. The aperture is relative to the diameter of the first lens element. So you can’t just compare these values directly.
Sure you can. The f-stop is the ratio of focal length to aperture diameter. A aperture of f/4 means, the aperture is one fourth of the focal length. At the same f-stop, you get the same light density on the sensor surface. The catch is: a phone has a much smaller sensor, so at the same f-stop, across the whole sensor less light is gathered and consequently, you have a weaker signal.
f-stop doesn't mean much other than the maximum that the aperture for that lens can open.
It doesn't indicate lens or element quality, or aberrations. There's a reason that pixel peeping, gear games, and reviewers are so prevalent in high end photography.
As a simple extension to this, most of my lenses work better a few stops before maximum f-stop.
So, yes, but no.