Not OP, but I think it makes very little difference whatever number you pick between “none” and “forever”.
Earlier this year a few authors whose work I enjoy tweeted furiously about this topic. Similar arguments may apply to audio and visual copyright.
If, for example, copyright lasted 14 years, then The Atrocity Archives (Stross) would already be public domain, which reduces incentive to create more in the series (not sure why, I would have expected new novels have new copyright, but I trust an author to know what their own motivations are, and I refuse to second-guess).
Now, these various authors on Twitter argued that being an author is poorly paid (it is), and that they would like to offer someone an inheritance comparable to a widow/er pension.
I can sympathise with that.
But, sales in most things decline over time. Sequels more, apparently (I wouldn’t know, one of the authors tweeted that). If income falls off exponentially with time, half the income for some specific work will be in the first x-months, 75% in 2x months, 99.9% in 10x months — I’m saying months rather than years because of how fast best-seller lists change, I don’t have real data.
Conversely, the reason for such a decline is that almost all the people who care will have bought the work soon after it is published. Making copyright last 100(average of all x) fails to harm society by preventing the work from becoming public domain, but only by the same[2] as it fails to help creative people commercialise their creativity, and for exactly the same reason: almost nobody cares any more. This remains true even if the income curve isn’t exponential, as the benefit to society is simply not having to pay for it[3].
Certainly I’m not rushing out to download some copy of inter-war music, radio broadcasts of whatever category, or newspapers; and I don’t even know if that’s for lack of money because I don’t care. I suspect I’m not alone in not caring.
Indeed, I only oppose zero/infinite duration because of the edge cases.
The point of copyright is to give creators an incentive at all besides the default of creative people being patronised or commissioned. This is already a thing — furry art by commission; stories[0] and YouTubers supported on Patreon. As this is not the status quo, if we switched to “no copyright” I expect this will break stuff and bankrupt people who have come to rely on it (this also means I oppose sudden changes in general).
If copyright was infinite, all works world eventually become lost in a legal quagmire of e.g. mergers and acquisitions where the actual owner ceases to be known.
[0] https://www.patreon.com/HamboneHFY
[1] except where the income per unit is too small to process ($0.001 per person times US population is still a lot of money).
[2] or losing track of who owns it, or [1]