A friend of mine decided to pursue music production around the same time I started in software engineering. We're both 20 somethings. We swap war stories now and then. I get to hear about how he's working with his mentor to do vocal production on a track getting pitched for Maroon 5, The Chainsmokers, etc. Sometimes the tracks take -- the artist likes them and decides to move forward. Usually they don't and it's a lo…
I thought songwriters had some sort of union or industry group that went to bat for them? The article and this discussion makes it sound that doesn't exist. edit: hmm, ASCAP and Songwriters guild are a couple names that come up... though this might be something of a dispute within different groups within ASCAP..
No song can be sold in significant number until it has been recorded by a famous artist backed by a well resourced record company.
By the time a song has been sold in significant numbers, it is too late for ASCAP or the Songwriters Guild to act, because the song has already been credited to an artist who didn't actually write it, because the songwriter signed away his or her rights in order to bootstrap the song.
You may think "that's not fair", and you may be right, but the difficulty is that a famous artist can make as much money selling a song that is not quite as good as a "great" song, and the supply of OK songs far exceeds the supply of "great" songs.
What even is a "great" song? It is difficult to tell, and even more difficult to prove, until it has been recorded by a "great" artist, and bought by millions of fans of said artist.
By that point, a contract exists crediting the "great" artist with writing or co-writing the song. This contract can be defended in a court of law by an ordinary lawyer working for a "great" record company, or better still, by a "great" lawyer working for a "great" record company.
When it comes to greatness, the medium is the message.