I'm surprised that the article didn't mention another popular theory: that many of the Egyptian statues taken by Europeans had their noses deliberately broken to obscure their blackness. As the theory goes, in order to make the statues seem like high art, it was necessary to make the culture seem more like the ancient Greeks and Romans. Removing their noses made it so the viewer could more easily read the statues as…
This theory doesn't hold up not the least because the surviving representations of noses in statuary don't look particularly "black" (interpreted very narrowly as the west sub-saharan facial phenotype), which is the image of Africans around which most Eurocentric racism is built. Look the statue in the article with an intact nose, and also the statues of the seated pharoahs at Abu Simbel. To my eyes, they just look a…
I think this says the exact opposite of what you want it to say. The fact that they survived, may be that they were sufficiently non-"black" looking to leave them alone. Phenotypes come in ranges especially for black people, so a "black" nose is anything from the nose of a random Scandinavian to that of a Sudanese persons.