Can someone explain the 24fps to me? It seems out of place old-school in light of the 4K & 240Mbps etc.
Netflix Originals: Production and Post-Production Requirements v2.1
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Re: Netflix Originals: Production and Post-Production Requirements v2.1
#82Earlier quoted context omitted.
I think that's why he said "in the future", when people might eventually realize that 60FPS is good.
24fps is a form of impressionism, plain and simple. An engineer claiming that 60fps is better simply because it offers realism, is as naive as claiming that a hi-res photo is obviously better than a Van Gogh because it "has more detail". Can you imagine commenting on an impressionistic painting and remarking, "well it's nice, but if the painter has used finer brush strokes we'd see more detail and it'd be more life-l…
Re: Netflix Originals: Production and Post-Production Requirements v2.1
#83Earlier quoted context omitted.
All 3 hobbit movies where released in the high frame rate format (albeit 48 frames not 60) and the general complaint was that they felt "soap opera"ry due to the way people felt about them. https://www.forbes.com/sites/johnarcher/2014/12/16/hate-the-... Is a decent commentary on the issue
My complaint about the 48fps (after going in hyped to see this Spiffy New Format) was that everyone looked like they were speed-walking all the time, which was really distracting. It was like a sped-up silent film. Nothing else I've seen in higher framerates has had that problem, though—just The Hobbit.
Re: Netflix Originals: Production and Post-Production Requirements v2.1
#84Can someone explain the 24fps to me? It seems out of place old-school in light of the 4K & 240Mbps etc.
Most movies are still presented at 24fps because higher frame rates apparently look different. The Hobbit was released in 60 fps and the reception by critics was mixed. Personally I don't see it but I'm no expert.
Re: Netflix Originals: Production and Post-Production Requirements v2.1
#85I wonder if Netflix is experiencing quality problems? Sometimes the lower-budget content that's a few years old looks pixelated or over-compressed. In these cases, it's somewhat obvious that whoever produced it just didn't know better.
Re: Netflix Originals: Production and Post-Production Requirements v2.1
#86Earlier quoted context omitted.
>I'm surprised they don't ask for VFX sources to be archived though. ST:TNG and Babylon 5 both suffered badly from loss of the original VFX. What do you mean by this? Is it common practice to "remix" a show when it's rebroadcast? I just assumed they more or less press play on a .mp4.
I'm not sure about Babylon 5, but I believe TNG was shot on film, but the effects were all done at broadcast resolution due to cost. This meant that when they released the DVD version, it was not difficult to create HD versions of all the "real" footage, but the effects were all in standard definition, so they looked awful. For the Blu-ray remaster, I believe they redid all the effects with modern CG, so they no long…
Re: Netflix Originals: Production and Post-Production Requirements v2.1
#87Can someone explain the 24fps to me? It seems out of place old-school in light of the 4K & 240Mbps etc.
It's not a requirement, just a specification of minimum bit rate. Most movies are still presented at 24fps because higher frame rates apparently look different. The Hobbit was released in 60 fps and the reception by critics was mixed. Personally I don't see it but I'm no expert.
48fps, not 60fps.
Re: Netflix Originals: Production and Post-Production Requirements v2.1
#88This likely gives them confidence that if they were to remaster for a different color-space or higher resolution, that they could. For a 4K original shot in 8K, Netflix could send it back through the production process for a more reasonable cost and be able to launch the title quickly. I'm surprised they don't ask for VFX sources to be archived though. ST:TNG and Babylon 5 both suffered badly from loss of the origina…
The VFX elements for TNG were mostly kept, so it was mostly new post-production - it was DS9 that got bit hard, since there was much more CGI in the later seasons making an HD remaster too expensive.
Re: Netflix Originals: Production and Post-Production Requirements v2.1
#89Re: Netflix Originals: Production and Post-Production Requirements v2.1
#90The Arri Alexa is eliminated by these specs, for crying out loud. The single most popular camera amongst high end feature cinematographers.
This is driven by some misguided belief that input resolution == output resolution AND that resolution is the measure of quality.
I really hope they get their head out of their asses on this at some point.
It's good to have quality standards, and thank god they aren't Turner Classic Movies (the fuck was that all about??). But these specs are as arbitrary as saying all of your food must be cooked in copper cookware.
We tell stories, not pixels.