Netflix Originals: Production and Post-Production Requirements v2.1
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Netflix Originals: Production and Post-Production Requirements v2.1
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Re: Netflix Originals: Production and Post-Production Requirements v2.1
#2...And that my friends, is how you layout specs. Simple enough for anyone to read and understand, yet concrete enough to minimize interpretation variances. Love that change log.
Re: Netflix Originals: Production and Post-Production Requirements v2.1
#3This likely gives them confidence that if they were to remaster for a different color-space or higher resolution, that they could. For a 4K original shot in 8K, Netflix could send it back through the production process for a more reasonable cost and be able to launch the title quickly.
I'm surprised they don't ask for VFX sources to be archived though. ST:TNG and Babylon 5 both suffered badly from loss of the original VFX.
Re: Netflix Originals: Production and Post-Production Requirements v2.1
#4This is Netflix setting the standard for the whole industry.
Re: Netflix Originals: Production and Post-Production Requirements v2.1
#5I wish they'd push for 4K 60FPS so they could upgrade their releases to this in the future.
Re: Netflix Originals: Production and Post-Production Requirements v2.1
#6I wish they'd push for 4K 60FPS so they could upgrade their releases to this in the future.
60 FPS is undesirable for most movies/shows, as opposed to 24 FPS which creates a certain feel that most people prefer.
Re: Netflix Originals: Production and Post-Production Requirements v2.1
#7I wish they'd push for 4K 60FPS so they could upgrade their releases to this in the future.
60 FPS is undesirable for most movies/shows, as opposed to 24 FPS which creates a certain feel that most people prefer.
Most people prefer it because they're used to it, and that's what they feel is "movie like"
Re: Netflix Originals: Production and Post-Production Requirements v2.1
#8I wish they'd push for 4K 60FPS so they could upgrade their releases to this in the future.
60 FPS is undesirable for most movies/shows, as opposed to 24 FPS which creates a certain feel that most people prefer.
I think that's why he said "in the future", when people might eventually realize that 60FPS is good.
Re: Netflix Originals: Production and Post-Production Requirements v2.1
#9This likely gives them confidence that if they were to remaster for a different color-space or higher resolution, that they could. For a 4K original shot in 8K, Netflix could send it back through the production process for a more reasonable cost and be able to launch the title quickly. I'm surprised they don't ask for VFX sources to be archived though. ST:TNG and Babylon 5 both suffered badly from loss of the origina…
>I'm surprised they don't ask for VFX sources to be archived though. ST:TNG and Babylon 5 both suffered badly from loss of the original VFX.
What do you mean by this? Is it common practice to "remix" a show when it's rebroadcast? I just assumed they more or less press play on a .mp4.
Re: Netflix Originals: Production and Post-Production Requirements v2.1
#10I'd like another post going into more depth on audio (sound design, mixing, mastering...). I've seen a few things on Netflix where the bad audio engineering totally ruined the experience.