Earlier quoted context omitted.
Can you elaborate?
Not the OP, but LilyPond is a TeX-like music editor. Sibelius is a WYSIWYG editor. One might expect the author of TeX to prefer a similar approach to typesetting music. Like the OP, though, I don't find it surprising. Writing in your native language is relatively easy. Writing music is a lot harder, especially for an amateur (like me). Using the most intuitive software available is probably a good idea.
Knuth: Fantasia Apocalyptica
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Re: Knuth: Fantasia Apocalyptica
#22Sir Isaac Newton wasted much of his life trying to inject religion into his science. Ultimately it was for nil, as the concept of God has no place in science. Cute, but trying to draw meaning in numbers derived from millennia aged books is this same madness.
Re: Knuth: Fantasia Apocalyptica
#23Sir Isaac Newton wasted much of his life trying to inject religion into his science. Ultimately it was for nil, as the concept of God has no place in science. Cute, but trying to draw meaning in numbers derived from millennia aged books is this same madness.
But nonetheless, I was interested in it. I wrote most of the console stuff in straight C++ without objects, then went back and rewrote it with objects but not using inheritance (each object had a 'type' char like a,b,c etc). Then I rewrote it once again using proper OO and did away with the type chars.
I did not know HTTP, but through writing spam bots with perl I learned it well. I also made the same mistakes as earlier with just writing bad code (had one "master" script that I cut and pasted from and modified for each website), but I eventually modularized it and made a nice framework as I learned software engineering principles better.
My first job out of college, I automated a few tasks that had no interface using web scraping code that I ripped straight from my spam bot framework :)
Then 6 years later I needed to learn Python since everyone says perl is dead, and the only thing that really had my interest again was updating my spam bots to python from perl. Most of them had gone dormant or been banned by then.
Re: Knuth: Fantasia Apocalyptica
#24On top of being a genius, reading Knuth is such a pleasant experience. Without having ever interacted with him, he comes across as such a wonderful soul.
Re: Knuth: Fantasia Apocalyptica
#25Re: Knuth: Fantasia Apocalyptica
#26On top of being a genius, reading Knuth is such a pleasant experience. Without having ever interacted with him, he comes across as such a wonderful soul.
Yes, that's one advantage of being a genius - reading books that seem difficult to others becomes a pleasant experience.
It has helped humble me though, to know that pretty much everything he presents requires study. I have had few things from his book that I just got. Most required trying several times before they clicked.
And, if you ever read some of his afterwards, there are plenty of places where he concedes mistakes he made. Is really nice to see.
Re: Knuth: Fantasia Apocalyptica
#27Sir Isaac Newton wasted much of his life trying to inject religion into his science. Ultimately it was for nil, as the concept of God has no place in science. Cute, but trying to draw meaning in numbers derived from millennia aged books is this same madness.
In my early days of learning to program, I spent a lot of time writing console and web apps to better organize bible notes and linking verses together as I read through the bible. Then for extra "fun", I made a spam bot that would post my random notes and verses on various forums (and yes I know as my colleagues told me "that's unethical as hell"). But nonetheless, I was interested in it. I wrote most of the console…
That is sacrilegious. I believe most people call that kind of C++ C.
Re: Knuth: Fantasia Apocalyptica
#28Sir Isaac Newton wasted much of his life trying to inject religion into his science. Ultimately it was for nil, as the concept of God has no place in science. Cute, but trying to draw meaning in numbers derived from millennia aged books is this same madness.
I think he is just doing it for fun though. Your criticism is akin to saying people shouldn't waste their time passing around a piece of rubber in a grassy field.
Re: Knuth: Fantasia Apocalyptica
#29This is cool. The organ is infrequently used because it is so huge but if you want high drama it's the right tool for the job. Interstellar on church organ is intense. Feel inspired here: https://youtu.be/zg5QMysuSYg
Bach's Toccata and Fugue in D Minor, one of the most famous pieces of organ music ever, played on an organ built in 1730 (and, if I read the history right, it was actually specified by Bach):
https://www.youtube.com/watch?v=Nnuq9PXbywA
You can hear the recording simply outright fail on the low notes. The organ has a 32-foot pipe, which produces 16Hz notes. The reocrding simply doesn't do it justice; if you ever get the chance, listen to it live; it's an almost transcendent experience.
There are, however, apparently two organs in the world with 64-foot pipes (8Hz!) and several more which can synthesise an 8Hz subharmonic using smaller pipes, but I haven't found a recording I trust of it yet.
Re: Knuth: Fantasia Apocalyptica
#30On top of being a genius, reading Knuth is such a pleasant experience. Without having ever interacted with him, he comes across as such a wonderful soul.