> Gymnopedie No 1
Eric (or as he preferred, Erik) SATIE.
81–90 of 173 posts
> Gymnopedie No 1
Eric (or as he preferred, Erik) SATIE.
my experience with LLMs is that when you get answers to questions you didn't ask that it's repeating something that already exists. In other words, it probably regenerated a tool from which it was trained on.
How do you know this? How would you falsify this hypothesis?
For example, remove all code from your training data, and then see if the model can code regardless.
Earlier quoted context omitted.
What if the companies start auto subpoenaing the AI companies to try and tie the code to an account?
Do companies in the US really have the right to do that? I would think that kind of investigation is reserved for law enforcement only. If the design was made over email, would the piano company be able to subpoena Google for someone's private gmail messages?
Does it matter? What's important is if it can happen or not, and how if so. We already know that MPAA is willing to basically do whatever, even contribute themselves to piracy, if it means they can put people in jail for copying stuff eventually. They themselves also gotten in trouble for copyright violations themselves in the past, so doesn't seem like they're hiding away from breaking a little bit of laws to hunt pirates.
You are free to interpret this comment as prohibition or as my blessing, but... If it matters, ask your lawyer. If it doesn't matter, it doesn't matter. Or to put it another way, trademarks (you've mentioned two) and copyrights (it's a crapshoot) are complex. And in some jurisdictions (notably the US) anybody can sue anyone for anything. Your risk aversion is yours, not someone else's. Your financial and legal wherew…
> And in some jurisdictions (notably the US) anybody can sue anyone for anything. That should be the case in all jurisdictions. The justice system exists so that, if I feel treated unfairly, I can go to the state to settle the question whether/how much that is true. If there are issues where I cannot go to court, what am I supposed to do? Go fight you over the issue? What differs (a lot) is how effectively the system…
This is a nit but his name is actually Erik Satie not Eric Satre.
If your goal is to not pay them money - which you strategically unwisely hinted at with this question - then that's not covered by that exemption, I think.
So from my understanding, adding new music and releasing the tooling for that should be fine, but IANAL.
Frankly, what is or isn't legal doesn't matter as much as your story, as you will be judged by that. It also helps if the story is actually genuine, but that is a somewhat optional requirement all things considered. At least the industry treats it as such.
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FWIW, as these capabilities trickle down to everyone through LLMs, it is worth asking yourself whether it is worth the trouble of releasing it in the first place.
If anyone can replicate this within a reasonably short timespan, then maybe not.
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With this stuff in particular, it's also worth considering the business model of the entity.
Does your work pose a relevant risk for their bottom line? If yes, then bad. If no, then shrug.
Is music sold their main revenue channel, or are they just also doing that because recurring revenue is nice to have?
How user-friendly would you want your work to end up as? Would it target the demographic that would otherwise just buy the music?
Truth is that this is all just an elaborate dance.
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To close the "polish trains" gap in what I just wrote in the last section:
"Is their business model ethical? And is it considered that by the majority, common sense, and politicians?"
Why not publish the methodology in detail and leave it at that?
Likewise, if you're able to upload your own custom MIDI (or other) files for your piano to play, then all you'd be doing is sharing a utility that creates mixed audio/MIDI MP3s, which may or may not be used to create files which can then be legitimately uploaded to a piano.