Earlier quoted context omitted.
> it is not possible to say it is indistinguishable for all samples, present and future. Are there likely to be real-world cases where this happens - and the effect is detrimental enough to actually matter to anyone? Surely we're debating "when is it good enough for anyone sane and reasonable?" not "when could a hypothetical oracle be fooled 100%"?
I've commented in the past about a song that is annoyingly altered in 320k MP3: https://hn.algolia.com/?dateRange=all&page=0&prefix=false&qu...
Apple Music Announces Spatial Audio and Lossless Audio
631–640 of 717 posts
Re: Apple Music Announces Spatial Audio and Lossless Audio
#632Earlier quoted context omitted.
A pure tone. At 110 dB SPL. On one study. Yes, if you blast humans with enough energy in any form they will eventually notice. This is not a relevant result for music.
By all means provide an alternate study that shows 20Khz is the limit for human hearing. Because from all accounts it is a myth.
Sensitivity to audio falls off a cliff as you approach 20KHz.
Re: Apple Music Announces Spatial Audio and Lossless Audio
#633Earlier quoted context omitted.
Not only that, biology is also against them. Somewhere between 25-30 years of age, your hearing already dips 17KHz.
I am almost 40 and can easily hear pure ones over 17khz but can't differentiate pure noise with or without anything above 13khz. Right around 18.5khz there's a sharp falloff on pure tones no matter how much I pump the volume. I use a loudness meter that shows me the freq spectrum to confirm that my speakers and headphones are producing a pure constant tone. On the tests at: " https://www.audiocheck.net/blindtests_fre…
Re: Apple Music Announces Spatial Audio and Lossless Audio
#634Spatial audio looks... gimmicky? Surround sound recordings have been available to consumers for over fifty years, yet they remain niche. I'm biased though as I've only purchased high-end stereo headphones.
Re: Apple Music Announces Spatial Audio and Lossless Audio
#635From the article: > J Balvin said: [...] With Lossless, everything in the music is going to sound bigger and stronger but more importantly, it will be better quality. [...] There have been tests showing we cannot hear the difference between minimally lossy audio (e.g. mp3 320kbps) and lossless. But Balvin can. And it sounds "bigger and stronger". The extra quality of lossless is nice when mixing/remixing the sound, a…
> There have been tests showing we cannot hear the difference between minimally lossy audio (e.g. mp3 320kbps) and lossless. But Balvin can. And it sounds "bigger and stronger". On the contrary, you can actually do these tests yourself ( https://www.npr.org/sections/therecord/2015/06/02/411473508/... ). I and many others running good high end gear can repeatedly score well on these tests. Of course, it's not only the…
Not "even" as if that was any good. MP3 320kbps is a very low bar.
OPUS vbr averaging 128kbps is much harder than mp3 320kbps to ABX against FLAC.
MP3 simply is a really bad codec by current standards.
Re: Apple Music Announces Spatial Audio and Lossless Audio
#636From the article: > J Balvin said: [...] With Lossless, everything in the music is going to sound bigger and stronger but more importantly, it will be better quality. [...] There have been tests showing we cannot hear the difference between minimally lossy audio (e.g. mp3 320kbps) and lossless. But Balvin can. And it sounds "bigger and stronger". The extra quality of lossless is nice when mixing/remixing the sound, a…
> There have been tests showing we cannot hear the difference between minimally lossy audio (e.g. mp3 320kbps) and lossless. But Balvin can. And it sounds "bigger and stronger". On the contrary, you can actually do these tests yourself ( https://www.npr.org/sections/therecord/2015/06/02/411473508/... ). I and many others running good high end gear can repeatedly score well on these tests. Of course, it's not only the…
Re: Apple Music Announces Spatial Audio and Lossless Audio
#637Earlier quoted context omitted.
> There have been tests showing we cannot hear the difference between minimally lossy audio (e.g. mp3 320kbps) and lossless. But Balvin can. And it sounds "bigger and stronger". On the contrary, you can actually do these tests yourself ( https://www.npr.org/sections/therecord/2015/06/02/411473508/... ). I and many others running good high end gear can repeatedly score well on these tests. Of course, it's not only the…
I've done blind tests and I can tell if I try really hard but I wouldn't even say that the mp3 sounds worse, just different. I focus on hi hats. I do collect lossless audio for archival reasons and the ability to convert from a non lossy source. I believe that high bitrate audio is entirely bullshit though- as Chris Montgomery has shown: https://xiph.org/video/vid2.shtml
If you're comparing against lossless, sounding different means sounding worse.
The goal is transparency: Preserving the qualities of the original audio that you can actually hear, while occupying less space.
Re: Apple Music Announces Spatial Audio and Lossless Audio
#638Earlier quoted context omitted.
I am almost 40 and can easily hear pure ones over 17khz but can't differentiate pure noise with or without anything above 13khz. Right around 18.5khz there's a sharp falloff on pure tones no matter how much I pump the volume. I use a loudness meter that shows me the freq spectrum to confirm that my speakers and headphones are producing a pure constant tone. On the tests at: " https://www.audiocheck.net/blindtests_fre…
I can't tell you anything except that you have exceptional frequency reach for your age. ISO has actually standardized age-related hearing loss (yes, really), and they point to the same 17KHz point for even young adults. It actually makes me quite envious of you. I have sensitive ears - I can pick up very faint electrical circuitry sounds in screens or the delivery driver scootering into the beginning of our street d…
One thing is I suffer from tinnitus or something because at night I am always aware of a constant noise or "roar" in my hearing as well as my visual noise in my eyesight. I have pretty terrible eyesight so my hearing circuitry may have just amped the volume a bit to compensate (like upping iso on a camera).
In both our cases I wonder how much of this is just our brains have learned to pick things out of the signals are ears give vs our ears actually being more/less capable than other people. I think my brain has just had a lot of practice. I've always loved music, practiced classical piano hours a day when I was younger, and cut my teeth programming learning DSP algos for audio processing. I recently did a hobby project involving reproducing NES music from ROMs and that involved just listening to raw square/triangle waves and literally just following intuition to get everything to sound right. I'm willing to bet my case is one more of training than raw ability.
Re: Apple Music Announces Spatial Audio and Lossless Audio
#639From the article: > J Balvin said: [...] With Lossless, everything in the music is going to sound bigger and stronger but more importantly, it will be better quality. [...] There have been tests showing we cannot hear the difference between minimally lossy audio (e.g. mp3 320kbps) and lossless. But Balvin can. And it sounds "bigger and stronger". The extra quality of lossless is nice when mixing/remixing the sound, a…
Re: Apple Music Announces Spatial Audio and Lossless Audio
#640Apple can add feature after feature, but if Music continues to split albums without warning, it's close to useless. I can't curate a music library when I can't rely on my music not being jumbled around. Dropping music for licensing issues is one thing, but messing with metadata is beyond frustrating. For arbitrary reasons, Apple Music will: remove songs from albums and re-add them to your library as the "single" or "…
> Apple can add feature after feature, but if Music continues to [random issue most people have never encountered], it's close to useless. I've started to feel like "Apple Music as a music library" was really only intended as a bridge for people like you and me that were reluctant to abandon their obsessively curated their music library for the brave new world of streaming music. After a few years of it my listening…