The NPR/TED school of (audio) stories is really 'audio clickbait' for audiences with short attention spans and lower barriers to clicking away/skipping/changing the channel/losing interest; unlike book or print readers who already have more sunk cost. Moreover the audio clickbait school often cater to a middle-class, college-graduate audience; and their predilections (dating, career, social issues). It would be a brave person who would talk to that audience about (say) their passion for taking their kid hunting.
Not every concept needs to be sold welded to an anecdote, and not every anecdote needs to dominate the piece, not every anecdote must be happy or even self-complete, and not every story needs to be affirming inspiration porn.
One TEDSalon piece that really hits all these low notes of over-the-top self-congratulation success porn is Amy Webb's "How I hacked online dating" (TEDSalon NY2013 [1]), which boils down to merely combining a few fairly obvious pragmatic quantitative steps then drowning it all in unnecessary gallons of aw-shucks sentimentality and humblebragging and missteps (10:14..15:53). It's important to stop and introspect if/whether/why we're more likely to click on/listen to a title "How I hacked online dating" instead of "How to find someone genuinely compatible with you, in online dating", and if so to fight that tendency. Webb only really ends the preamble at 07:10 of a talk that's 17:14 long. Her thesis is 7:28-7:57. 11:23 is just overkill, can reverse-engineer these things just by asking other people what profiles they swipe on.
It really is time to take out the Gatling gun on the overuse of audio clickbait, or at least the people pushing its worst traits to 'maximize engagement', which oftentimes means spinning a 30-second truism into 10/15/20/30/60 minutes, which is diluting the density of concepts by 20-100x. Brevity shouldn't be a crime, either, although for advertising-supported media it is.
On NPR: Ira Glass is good, and 'The Moth' Story Hour is often pretty good, but then again 'Hidden Brain' with Shankar Vedantam is also good, in a more dry way that doesn't need to pile-drive emotional anecdotes to establish interest.
As to Kamphey, it feels like does have something to tell under it all, but his Medium post is laboring in very stilted LinkedIn 'broetry' (short staccato sentences, rhetorical questions, smug, sometimes infantile narrative). It's not thoughtcrime to have a thought that spans an entire paragraph, old-school, >300 characters.
[1]: https://www.ted.com/talks/amy_webb_how_i_hacked_online_datin...