The electronic music scene has always had lots of very unusual and interesting business models going on, right back to the late 80s. People in the early rave scene in london were doing stuff in the early 90s that looks modern today. Consider the idea that there have always been some records out there that DJs consider too good to even play, except at very particular and infrequent times and places. There are artists…
Please do - I have been following electronic music for a few years now (DI.fm subscriber, head-fi) and never knew about this stuff.
Everything popular is wrong: Making it in electronic music
41–46 of 46 posts
Re: Everything popular is wrong: Making it in electronic music
#42Interesting article, but I definitely do believe that it is a bit muddled and oblivious. Yes, you should not study Ricardo Villalobos as a template to emulate any more than you would for Mozart -- if you like that music, you digest it and enjoy it and then create something that is intrinsically yours; how could you genuinely just want to produce something that is exactly someone else's vision and aesthetic? I am a bi…
Re: Everything popular is wrong: Making it in electronic music
#43The electronic music scene has always had lots of very unusual and interesting business models going on, right back to the late 80s. People in the early rave scene in london were doing stuff in the early 90s that looks modern today. Consider the idea that there have always been some records out there that DJs consider too good to even play, except at very particular and infrequent times and places. There are artists…
Please do - I have been following electronic music for a few years now (DI.fm subscriber, head-fi) and never knew about this stuff.
Re: Everything popular is wrong: Making it in electronic music
#44Re: Everything popular is wrong: Making it in electronic music
#45The electronic music scene has always had lots of very unusual and interesting business models going on, right back to the late 80s. People in the early rave scene in london were doing stuff in the early 90s that looks modern today. Consider the idea that there have always been some records out there that DJs consider too good to even play, except at very particular and infrequent times and places. There are artists…
Similar to the story about how DJ Kool Herc* discovered "Apache" (in the Michael Viner cover version http://www.youtube.com/watch?v=q_6UEtFuDHY ) and adopted it as his secret weapon, managing to hide its identity for quite a while. * Or was it Grandmaster Flash? I wish I could find the TV documentary I remember this from.
Was this in the movie Scratch? http://www.imdb.com/title/tt0143861/
Only other source I can think of is NY77: The Coolest Year in Hell http://www.imdb.com/title/tt1080761/
(Both of these are well worth watching. NY77 describes the amazing cultural events in NYC, 1997.)
Re: Everything popular is wrong: Making it in electronic music
#46Earlier quoted context omitted.
Similar to the story about how DJ Kool Herc* discovered "Apache" (in the Michael Viner cover version http://www.youtube.com/watch?v=q_6UEtFuDHY ) and adopted it as his secret weapon, managing to hide its identity for quite a while. * Or was it Grandmaster Flash? I wish I could find the TV documentary I remember this from.
Or was it Grandmaster Flash? I wish I could find the TV documentary I remember this from. Was this in the movie Scratch ? http://www.imdb.com/title/tt0143861/ Only other source I can think of is NY77: The Coolest Year in Hell http://www.imdb.com/title/tt1080761/ (Both of these are well worth watching. NY77 describes the amazing cultural events in NYC, 1997.)