Live data from Hacker News

Everything popular is wrong: Making it in electronic music

littlewhiteearbuds.com

41–46 of 46 posts

Re: Everything popular is wrong: Making it in electronic music

#41

The electronic music scene has always had lots of very unusual and interesting business models going on, right back to the late 80s. People in the early rave scene in london were doing stuff in the early 90s that looks modern today. Consider the idea that there have always been some records out there that DJs consider too good to even play, except at very particular and infrequent times and places. There are artists…

Please do - I have been following electronic music for a few years now (DI.fm subscriber, head-fi) and never knew about this stuff.

oh how I miss groovetech.com! I would pay lots of $$ for their archives.

Re: Everything popular is wrong: Making it in electronic music

#42

Interesting article, but I definitely do believe that it is a bit muddled and oblivious. Yes, you should not study Ricardo Villalobos as a template to emulate any more than you would for Mozart -- if you like that music, you digest it and enjoy it and then create something that is intrinsically yours; how could you genuinely just want to produce something that is exactly someone else's vision and aesthetic? I am a bi…

Bravo! Well said, all around. The world is changing in so many ways. Those of us who work day-in and day-out in technology are probably among the most aware of how if you don't adapt, you can very quickly fall behind while the rest of the world moves past you. But your post touches on a lot of other points the guy made, and how they're kind of ... not quite right. Anyway, thanks for the wall of text. Good read - better than the original blog post even.

Re: Everything popular is wrong: Making it in electronic music

#43

The electronic music scene has always had lots of very unusual and interesting business models going on, right back to the late 80s. People in the early rave scene in london were doing stuff in the early 90s that looks modern today. Consider the idea that there have always been some records out there that DJs consider too good to even play, except at very particular and infrequent times and places. There are artists…

Please do - I have been following electronic music for a few years now (DI.fm subscriber, head-fi) and never knew about this stuff.

http://headphonecommute.com/

Re: Everything popular is wrong: Making it in electronic music

#44
The same can be said for 99cent apps. The access to sales channel has been democratized and this creates a massive inventory of software. Some of which are very good, but still forced to price at a very low level. A piece of software like iPad's GarageBand at 5.99 - who could have believed this?

Re: Everything popular is wrong: Making it in electronic music

#45
post #34

The electronic music scene has always had lots of very unusual and interesting business models going on, right back to the late 80s. People in the early rave scene in london were doing stuff in the early 90s that looks modern today. Consider the idea that there have always been some records out there that DJs consider too good to even play, except at very particular and infrequent times and places. There are artists…

Similar to the story about how DJ Kool Herc* discovered "Apache" (in the Michael Viner cover version http://www.youtube.com/watch?v=q_6UEtFuDHY ) and adopted it as his secret weapon, managing to hide its identity for quite a while. * Or was it Grandmaster Flash? I wish I could find the TV documentary I remember this from.

Or was it Grandmaster Flash? I wish I could find the TV documentary I remember this from.

Was this in the movie Scratch? http://www.imdb.com/title/tt0143861/

Only other source I can think of is NY77: The Coolest Year in Hell http://www.imdb.com/title/tt1080761/

(Both of these are well worth watching. NY77 describes the amazing cultural events in NYC, 1997.)

Re: Everything popular is wrong: Making it in electronic music

#46
post #34

Earlier quoted context omitted.

Similar to the story about how DJ Kool Herc* discovered "Apache" (in the Michael Viner cover version http://www.youtube.com/watch?v=q_6UEtFuDHY ) and adopted it as his secret weapon, managing to hide its identity for quite a while. * Or was it Grandmaster Flash? I wish I could find the TV documentary I remember this from.

Or was it Grandmaster Flash? I wish I could find the TV documentary I remember this from. Was this in the movie Scratch ? http://www.imdb.com/title/tt0143861/ Only other source I can think of is NY77: The Coolest Year in Hell http://www.imdb.com/title/tt1080761/ (Both of these are well worth watching. NY77 describes the amazing cultural events in NYC, 1997.)

Sorry; 1977, not 97
Post reply on HN