Earlier quoted context omitted.
I don't know how pervasive the act of trying to fit into rules for a Chinese audience is, but the fact that all of cape-movies are made to fit in gave me some tangible reason to say why I find them so empty and lame (and you should to!). It's also really strange given how much the opposite web content is becoming. With patreon, we're starting to get some seriously fringe content, and the streaming services don't seem…
I don't think it's just the "rules" for a Chinese audience (though that doesn't help); I think it's the economics of making movies primarily for a global audience, rather than a particular language, culture, or even sub-culture. This was an "aha" moment in realizing why so many movies over the last decade contain seemingly lazy, blunt dialogue, lacking subtlety or subtext: the meaning needs to come across clearly in…
It's not a phenomena unique to movies, or the modern international economy, it's a pattern that pops up all over the place. Look at multi-tool pocket knives: capable of doing many things, but mediocre at everything.