Earlier quoted context omitted.
> What makes art meaningful and impactful isn’t whether it looks good or cool. I fall on the other side of that coin: I care about the final output way more than the story & struggle of the artist. Also: Nature is probably the most epic artist in my book - a sunset, leaf, coral or rock can outshine virtually any human creation.
I think most people care about the final output, especially the market. This is why many artists complain about mainstream art, because it genuinely isn't interesting from an artist's perspective. I'm not too familiar with visual arts, but I know most jazz musicians make a living off of teaching music and doing concerts where the attendees are just other musicians. It's very much centered around technique and human p…
AI art shows the philistines for who they are. It's a giant decoy to lure them away from spaces where people are making art of more substance.
I feel the same way about things like the absolutely miserable quality of Marvel, Star Wars, etc. stuff leading to films being increasingly polarized between 60 IQ blockbusters and more interesting small projects. It's what kicked off the 70s arthouse cinema in the US, and I'm hoping we get a similar renaissance soon with the success of all of the small and difference projects lately.
>doing concerts where the attendees are just other musicians
If this is how jazz musicians actually made money, they'd have all died of starvation at this point. Every jazz musician that's not a top 20 or so act makes most of their money playing whatever kind of music people pay them to make, whether it's church music, session musician gigs, etc. The entire reason they started doing (and still do!) straightahead jams is that they were tired of playing schlock all day and wanted to spice it up with and for other people tired of playing schlock.