Earlier quoted context omitted.
Agreed. LUFS as an "objective metric of quality" is nonsensical. I work as the assistant to a world class mastering engineer and we never discuss LUFS or aim to hit a target loudness. Such metrics (while well understood) are never a consideration. All we do is listen. Often the goal is to get the record to feel as loud as it can be, but the moment our choices start to degrade the feel of the record we back off. We're…
Yeah it's true that people are still trying to make loud stuff. But as you say, people are so good at making it work now that's not really a "I'm making this -3 because I need to be competitive with other songs," it's "I'm making this -3 because it's a heavy bass record and I want this to melt people's goddamn faces when they listen to it." In other words, an artistic decision, rather than a business one. I think mos…
I'm not sure if the high-res audio version on Apple Music has corrected this sin of the original CDs.