One thing I read somewhere -- and it might have been an interview with Gibson or with someone else talking about his work -- is how much William Gibson despises derivatives of cyberpunk in the books, videogames and movies that followed. Specifically, he dislikes the focus on the aesthetic, neon lights, mirror shades, etc. I think Gibson really dislikes Cyberpunk 2077, for example. Gibson argued they are missing the p…
Gibson said he came up with Neuromancer by imagining what would happen if Reagan became president for life.
The Influence of Neuromancer on Cyberpunk
201–210 of 404 posts
Re: The Influence of Neuromancer on Cyberpunk
#202I was sick at home and finally picked up the Neuromancer which had been sitting in the bookshelf for years. It was an experience indeed. At many points, very high concept (which of course has been copied to death). At other points, naive. Surprisingly few things felt old fashioned. The biggest let down was the unrealistic behavior and motivation of people. It felt very much like an adventure game where everything rev…
In the interview/documentary https://en.m.wikipedia.org/wiki/No_Maps_for_These_Territorie... Gibson is quite self-deprecating. He attributes several aspects of the book that people love to his inexperience as a writer. The main character is cold and vague because he didn’t know how to write a fleshed out character. People jack-in a lot because he was uncomfortable writing scene transitions. Something like “What do yo…
Re: The Influence of Neuromancer on Cyberpunk
#203Earlier quoted context omitted.
I think you're being too specific. This article, I'm pretty sure, is about the aesthetic of the entire genre of cyberpunk, rather than the video game Cyberpunk 2077.
Yes, my first line mentions it.
Re: The Influence of Neuromancer on Cyberpunk
#204Earlier quoted context omitted.
This is contrary to numerous interviews where Gibson praises aesthetic and for example, says that Blade Runner spot-on nailed what he was going for with Neuromancer. Gibson all throughout Neuromancer equally himself focuses, almost hyper-focuses on surface textures and visual aesthetic to juxtapose antique forms and purpose with high tech modern materials. It would seemingly be at odds for him to not like aesthetic a…
I don't think it's contrary. First, Blade Runner came BEFORE Neuromancer was released, so it cannot have been a derivative, and there weren't any good representations of the aesthetic on screen either; its visuals broke new ground in many senses. Gibson rightly feared that: > "BLADERUNNER came out while I was still writing Neuromancer. I was about a third of the way into the manuscript. When I saw (the first twenty m…
Re: The Influence of Neuromancer on Cyberpunk
#205One thing I read somewhere -- and it might have been an interview with Gibson or with someone else talking about his work -- is how much William Gibson despises derivatives of cyberpunk in the books, videogames and movies that followed. Specifically, he dislikes the focus on the aesthetic, neon lights, mirror shades, etc. I think Gibson really dislikes Cyberpunk 2077, for example. Gibson argued they are missing the p…
In Pattern Recognition, the character Cayce is “allergic” to Tommy Hilfiger clothing because the style is so completely generic. Your comment makes me wonder if that was a commentary on the works derived from his initial vision in the Sprawl trilogy.
Re: The Influence of Neuromancer on Cyberpunk
#206I was honestly underwhelmed by Neuromancer. Maybe because so many people raved about it or that I read it many years after it was written. I honestly don't know. It was... OK. But amazing? I don't see it. I love science fiction. One thing you have to realize about science ficiton is that it is a product of the time it was written. It may share many of the aesthetics, themes, philosophies and politics of that time. Li…
"Cyberpunk as a genre stems from xenophobia, ultimately" Why does mega-corporation mean Xenophobia against the Japanese? Bladerunner, which came out around the same time, has mega-corporations which aren't run by the Japanese. So does Robocop. The second Sprawl book and third Sprawl book both have wealthy villains who are not Japanese.
Re: The Influence of Neuromancer on Cyberpunk
#207One thing I read somewhere -- and it might have been an interview with Gibson or with someone else talking about his work -- is how much William Gibson despises derivatives of cyberpunk in the books, videogames and movies that followed. Specifically, he dislikes the focus on the aesthetic, neon lights, mirror shades, etc. I think Gibson really dislikes Cyberpunk 2077, for example. Gibson argued they are missing the p…
> I think Gibson really dislikes Cyberpunk 2077, for example. Gibson argued they are missing the point, staying shallow and forgetting the "message", which was PUNK: a rebellion and a rejection of the mainstream state of affairs. Gibson was a punk writer, and his writing was a critique of Reaganomics and the direction the world was going back then. I'd argue that another game released in 2020 understood the "punk" pa…
Re: The Influence of Neuromancer on Cyberpunk
#208One thing I read somewhere -- and it might have been an interview with Gibson or with someone else talking about his work -- is how much William Gibson despises derivatives of cyberpunk in the books, videogames and movies that followed. Specifically, he dislikes the focus on the aesthetic, neon lights, mirror shades, etc. I think Gibson really dislikes Cyberpunk 2077, for example. Gibson argued they are missing the p…
He specifically said this about the game: "The trailer for Cyberpunk 2077 strikes me as GTA skinned-over with a generic 80s retro-future, but hey, that's just me."
Re: The Influence of Neuromancer on Cyberpunk
#209> When Gibson penned his opening line ‘the sky above the port was the colour of television, tuned to a dead channel’ he merged reality and the digital in a way that seems almost prophetic today Tangentially, I find the generational aspect of that line fun. Depending on how old the person you're talking to is, this will mean (as originally meant) a gray/staticy color, or a searingly vivid blue, (or, I guess, something…
Re: The Influence of Neuromancer on Cyberpunk
#210Earlier quoted context omitted.
I did a cursory search, and there's certainly "What I tried to do was give people a future that is the world of the Reagan ’80s carried five steps forward and the volume turned up 20 clicks" in an article[1] from 1994. [1]: https://ew.com/article/1994/08/26/william-gibson-first-man-c...
This sounds very hand-wavy, and I wish Gibson was more explicit in drawing the connections. Slums and the dominance of megacorps and the ultra-rich I understand, but what do cyberspace and AI's (two of Neuromancer 's more original and iconic themes) have to do with Reagan? Nothing, from what I can tell.
Gibson had of course famously never used the internet when he wrote Neuromancer (on a typewriter).