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ReiserFS and the Art and Artist Problem

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21–30 of 109 posts

Re: ReiserFS and the Art and Artist Problem

#21

Hey, I made this. It uses OpenAI voices for Hans and others, which some found too robotic. The topic on my mind around this was: in the large, like MJ or Woody Allen, it's hard to make a call on the art vs. artist. But in the small, it's much easier because people aren't divided into domains. It's all mixed together. And if you can't work with people, if you can't be a team player you limit your abilities. ReiserFS4…

[deleted]

Re: ReiserFS and the Art and Artist Problem

#22
post #5

Some part of me always assumes people are innocent. I think I just see too much of myself in others and when they commit some act I never would it seems genuinely outside reality. I remember vividly being a very tech-involved twenty year old, extremely excited about Reiser4 when this all came to light and thinking "There's no way he did it! They don't even have a body, they don't even know she is dead" right up until…

There is nothing wrong with presuming innocence until the evidence proves otherwise beyond doubt.

Re: ReiserFS and the Art and Artist Problem

#24

Earlier quoted context omitted.

A jerk is one thing; a murderer is something else.

If a murderer creates a file system/energy source/mouse trap that is effectively better than all of the alternatives, and generates value to the world, what he did in his personal life is effectively moot. There is no ethics problem involved in choosing the best solution to a problem, when that solution exists.

> effectively better than all of the alternatives

Which gladly rarely happens, so often you still have sufficient choice. Now, if it turns out Euler sabotaged some bridges and caused deaths, you'd still have a hard time avoiding using e.

But for software? It's usually rather easy to find alternatives. And ReiserFS never was an exception here.

Re: ReiserFS and the Art and Artist Problem

#25
post #2

You can like the work but hate the jerk. The real question comes when you decide whether to financially support a jerk's work.

So once a jerk artist is dead and can no longer benefit from their work, it becomes easier to consume their art without moral concern?

I think so, yeah.

Re: ReiserFS and the Art and Artist Problem

#26
post #5

Some part of me always assumes people are innocent. I think I just see too much of myself in others and when they commit some act I never would it seems genuinely outside reality. I remember vividly being a very tech-involved twenty year old, extremely excited about Reiser4 when this all came to light and thinking "There's no way he did it! They don't even have a body, they don't even know she is dead" right up until…

When I read about politics I have to accept that almost half of people either have a completely thought process from me, or mediated communication allows them to live in a completely different world

Or, likely, they choose not to think

Re: ReiserFS and the Art and Artist Problem

#27

Earlier quoted context omitted.

A jerk is one thing; a murderer is something else.

If a murderer creates a file system/energy source/mouse trap that is effectively better than all of the alternatives, and generates value to the world, what he did in his personal life is effectively moot. There is no ethics problem involved in choosing the best solution to a problem, when that solution exists.

Yet for many people, the very act of choosing results in a halo that goes beyond the acquisition itself.

You may think you’re choosing a technology, and nothing further. But others may see your decision as a broader endorsement.

Are they right to do so? Don’t know. Maybe not.

But it is a real effect. The quandary is therefore ethical.

Re: ReiserFS and the Art and Artist Problem

#28

I'm very glad there is a transcript so I didn't have to listen to it. It seems like in this case ReiserFS is being deprecated and removed because it is no longer used and not because of who the creator is? https://www.phoronix.com/news/ReiserFS-Deprecate-Remove-2025 If so, then this isn't really about separating the art from the artist?

My takeaway was that Han's problems were intrinsically tied to the both the architecture and code in ways that made it difficult for others to contribute and fix. The artist's influence on the art caused its ultimate demise.

"Hans's problems".

Re: ReiserFS and the Art and Artist Problem

#29

ReiserFS is named after the author, which is an oddity among file systems or open source projects in general. I wonder if it would have seen further development if it had been named something else.

I don't know how much of an oddity it is, but Linux is probably the most known FLOSS. OK Linus himself wanted to name it "freak" or something like that.

Re: ReiserFS and the Art and Artist Problem

#30
post #9

Earlier quoted context omitted.

So once a jerk artist is dead and can no longer benefit from their work, it becomes easier to consume their art without moral concern?

Yes, literally. Same argument applies to limited copyright terms. Though I'd say it would be with less concern, not completely without it.

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