Cinematography of “Andor”

1) the themes it explores. Things like fighting fascism has been done to death by this point, half of YA is "goverment military and bad, young girl gets a love triangle and defats them". Andor shows the slowing, encroching effect of military rule. What a prision industrial complex looks like (from fake incarcerations to unescapable sentences). What colonialism looks like (bleak pragmatic bureocracy about mineral extraction while discussing genocide over hors d'oeuvres). How political silencing happens (mothma cannot find allies because they all understand they have very limited political capital and have to be very careful were they spend it). Those are serious topics, and you basically do not see them outside of shows which care on systems like Wire on the drug police system, or House of card with the political congress system. Certainly not on star wars

2) Cinematography. The show is shot like a spy thriller from the get go. It makes sense with Gilroy previous Bourne experience but for a disney property opening up with killing 2 cops outside a brothel sets a tone not seen previously. Thats carried with every arc having instantly recognisable look and feel, from the cold harsh lights of Narkina 5, to the warm beach vibes of Niamos (space miami), the future vibe of corusant or the jungle vibe of Yanvin 4.

3) Monologues. Most shows cant pull off one monologue without it looking awful, this show manages plenty of them, sometimes in the same episode.

4) The topics its willing to address. I mentioned themes before, but those themes can be explored in many ways. Prequels dealt with growing fascism in the republic then turned empire, but it wouldnt say genocide or have a isb officer talk about how annoying it is the army wants their interrogation techniques because their torture works so well. Or show insignificant middle managers so untouchable they attempt to rap* a main character. Saying the empire is very powerful and scary is one thing, showing how they behave with that power is way more chilling.

5) The carnival of interesting people explored. Most shows have a few main characters and then supporting characters whose mission is to not have a personality and be a plot device of some kind. Here outside of the incredible inner life of even minor characters you get to see the journey of peopel as varied as Andor, a colonial genocide survivor who was a petty thief and became a high ranking member of the rebellion. Luthen, an ex empire soldier who after crumbling on a mission rescues Kleya and becomes one of the leaders of the rebellion from within Corusant, sort of batman/bruce wayne. Vel, a nepo baby from Chandrilla who joins the rebellion. Syril, a dadless little shit who is obssesed with following the rules thinking he would get far inside the empire system. Dedra, an orphan that cares so much about results she might be actually responsible for the fall of the empire. Kleya, another genocide survivor, taken in by Luthen and basically nightwing to his batman. Like whether you like womanly women, or tomboy super killers and whether you like manly rebels who dont follow the rules to super organised overachiever you can find a character with an entire arc in andor for you.

I could keep going but honestly its just a great show. From ideas like making 3 episode arcs, to how well it ties into Rogue one I think there is so much to praise there

They didn't have to. It's cinema quality. They could have spent less and gotten a goodly fraction of the quality. But I'm really glad they did.

1 person teams?