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A look at the creative process behind Bluey and Cocomelon (2024)

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101–110 of 221 posts

Re: A look at the creative process behind Bluey and Cocomelon (2024)

#101
post #35

I like Bluey but couldn't get my young one to sit through it for a nebulizer. Cocomelon did the trick and I'm very thankful for them for that. Honestly, I don't think it's as garbage as everyone makes it out to be. It's hard trying to find video-form nursery rhymes that aren't weird out there. They have that done well. I really like Bluey but I feel like it's for a much older crowd.

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Re: A look at the creative process behind Bluey and Cocomelon (2024)

#102

Other than cuts every 2-3 seconds to keep engaged in Cocomelon, also notice that CAMERA NEVER STOPS, ever. Every scene you see it's moving. It could be a slight movement or exaggerated one, but it's never stationary.

The 2000's action movie / tv show school of cinematography, starting with the Bourne films. https://tvtropes.org/pmwiki/pmwiki.php/Main/JitterCam

Re: A look at the creative process behind Bluey and Cocomelon (2024)

#103

As a father of two daughters, I'm convinced the writers of Bluey have cameras in my house /s. There are so many times we have had a similar experience to one of the episodes. As my kids are now older than Bluey and Bingo, they still get excited when a new episode is released. We love Bluey in our house.

The first episode I ever saw was "Takeaway" (dad and kids are waiting 5 minutes outside the Chinese takeaway restaurant). It so perfectly hit on not only the actual experiences from my life but how it _felt_ in the moment that I think I laughed until I cried. Then immediately made my wife watch it.

The episode referenced in the article ("Whale Watching" about the parents being hungover) is another that, while not my favourite or anything, is certainly one of those experiences you probably have as a parent that nobody's really talking about or making media about. Bluey's managing to be entertaining and wholesome for kids while hitting on a mostly untapped niche of "relatable parenting experiences".

With how much "junk food" TV is out there, Bluey's a real gem. For kids and parents alike.

Re: A look at the creative process behind Bluey and Cocomelon (2024)

#104
Bluey and Peppa Pig are so effective my children have started speaking with foreign accents D:

It’s deeply disappointing the US can’t come up with anything comparable. Sesame Street is a shadow of what it once was — the kids won’t sit down for it at all. Daniel Tiger tests slightly better, but christ is the tone patronizing.

Re: A look at the creative process behind Bluey and Cocomelon (2024)

#105
post #80

This quote: The 153rd episode is scheduled for April 14 and many believe that it will be the end of the show in its current form (more on this later). Measurably increased my stress level ... :(

There is a movie planned. And LEGO sets.

Re: A look at the creative process behind Bluey and Cocomelon (2024)

#107

Well, I was horrified the first time I saw the Cocomelon and was unsettled as a dad. This article explains why. I need to check Bluey, we watched Miraculous, tales of Ladybug with our kids and enjoyed it (the plot is for adults). There is a whole bunch of "junk food" in both tv and videogames (those were you win no matter what). I'm hoping things get better.

Bluey is easily the best children's TV. I mean I'd barely class it as children's TV; it's good by adult standards.

It's a bit annoying really because there isn't anything else like it at all. I would say the closest things are Pixar films which manage to appeal to adults and children. I'm not aware of any TV like that though. Apart from Bluey we're stuck with trash like Paw Patrol, Bing, Blippi, etc.

There are a small number that are not extremely annoying, but you still wouldn't actually want to watch them: Gabby's Dollhouse, Puffin Island, maybe Hey Duggee.

Re: A look at the creative process behind Bluey and Cocomelon (2024)

#108
post #79

> The confusion stemmed from the fact that Brumm had originally planned to create an R-rated version of Peppa Pig. I’m scared. Very scared.

I don't think I've seen any horror films inspired by Robert Pickton. Was this going to be the beginning?

Re: A look at the creative process behind Bluey and Cocomelon (2024)

#109

Earlier quoted context omitted.

Is this a serious question?

Completely serious. I understand it's very ingrained in our culture at this point that this is a thing people do. But, if I decontextualize enough mentally, it starts to feel quite strange: manipulating one's brain into having a negative emotional reaction.

It might help to compare it with going to the gym or for a run. In some sense this produces an immediate negative reaction: our muscles get sore and stiff, and we get out of breath. But we still do it perhaps because we feel better afterwards, or because it helps our long term physical health.

Likewise, deliberately experiencing sad (or otherwise) emotional states has both short term and long term positive outcomes. In the short term we feel a sense of catharsis, and perhaps reassured that our feelings are relatable. In the long term we feel more in touch and less overwhelmed by our emotions.

Re: A look at the creative process behind Bluey and Cocomelon (2024)

#110

Well, I was horrified the first time I saw the Cocomelon and was unsettled as a dad. This article explains why. I need to check Bluey, we watched Miraculous, tales of Ladybug with our kids and enjoyed it (the plot is for adults). There is a whole bunch of "junk food" in both tv and videogames (those were you win no matter what). I'm hoping things get better.

I’d say Miraculous is very French, in a good way. In that it doesn’t try to shield children from difficult adult subjects like death and grief and difficult parental relationships. We only do an hour or two of screen time a week right now (including for me and my wife), but Miraculous was a request for last week’s “movie night”.

Then we watch Severance when the kids go to bed and that’s it. Just like there’s junk shows for kids we’ve got junk shows for adults, and it’s hard to deny it to children when we don’t deny it for ourselves. The kids complain way less too when we’re like “well we’re all giving this stuff up”, because they have an innate sense of fairness.

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