Earlier quoted context omitted.
Frans Hals is actually my favorite painter, so if people take nothing else away from this thread, I would urge them to go check that shit out. The exact quote I was responding to in my essay: "When oil paint replaced tempera in the fifteenth century, it helped painters to deal with difficult subjects like the human figure because, unlike tempera, oil can be blended and overpainted." In support of which you now cite..…
Actually Franz Hals was my counterexample to your statement that no one painted alla prima till the 19th century. There are lots of others I could have picked (Fragonard for example) but I figured the most famous example of the style would do. My support for the statement that oil paint allowed painters to blend and overpaint is the example I gave earlier: http://en.wikipedia.org/wiki/Pentimento http://www.escholarsh…
You can link every Dutch master you want without making your argument any less bogus.
Here's what I actually wrote:
"The allusion a sketchy, iterative style of painting that used to be called "alla prima", where you block shapes in in oil paint and then swoosh them around the composition as the painting progresses, perhaps repainting entire sections of the picture. This is the way Graham and I were taught to paint, but it has nothing whatsoever to do with painting in the fifteenth century."
If you want to refute me, show me the Renaissance master who painted directly onto a blank canvas, starting with a "blurry sketch" and iteratively refining it into a finished work, like Hals, or Manet, or Rubens, or Bob Ross, rather than working with underdrawings and thin glazes of color.
You can't, because no one painted like that then. But talking about painstaking preliminary design and a sequential, pretty rigid method would have been inconvenient for the purposes of your essay.