Did anyone notice that RIAA does much less "anti-piracy" lobbying etc now compared to the MPAA?
I bet you'd see a correlation between bandwidth availability as a function of the average media file size and lobbying activity - which is another way to say the RIAA fought when it happened, mostly lost, and took the best of the available bad options that eventually emerged. Film was safer for a while due to the relatively huge file sizes for video, plus film has some slightly different industry dynamics. FTA: But t…
1970s and 1980s era record labels would sign an artist, throw development money at him or her, give them a fair try in the market with at least a couple of albums, and only drop them if they were going nowhere.
Then the emphasis shifted to the show-me-the-money insta-hit act, and manufactured waxwork acts like Justin Bieber. Music got a lot less interesting, and people found other things to do with their time. So sales crashed.
There's actually more good music being made than ever, but most of it lives on microlabels only hipsters know about, and the people making it all have day jobs. Even some of the better known names in dance/trance have day jobs.
This is bad, because some of them are very talented and would easily have made a career out of it 30 years ago.
Pop literally ate itself. The pirates just picked over the bones.