Avid public radio listener, WBEZ member. I guess I'm not opposed to scaling up program underwriting, but I wonder what it is about the structure of NPR and program buying that prevents shows like Ira Glass's TAL from just making their money on "the back end". Long-term, FM radio NPR is not going to last. As radio shifts from FM to the Internet, local stations will matter less, and NPR/PRI will increasingly become a K…
The thing about pledge drives and member supported radio is that it's almost completely free and without obligation. No matter how much money a standout hit like TAL can make from underwriting, why would he ever stop asking people for money if they're willing to give it to him in record numbers year after year? I'm sure that WBEZ places some restrictions on their programming in return for using the public radio brand to solicit donations, but I doubt that it's anything onerous. FM radio, streaming, podcasts, it's all the same to the content creators of the individual shows. More underwriting will allow them to do larger things, but if that dries up for whatever reason they can just continue to make money directly from their fans.
Public Broadcasting is like an Eternal Kickstarter. People will give you "donations" in return for a product, not just once, but every year for as long as they use your service. And they don't ask for any equity or voting rights or profit sharing, and you can sell ads to make extra money if you'd like. It's the best situation for a business to be in.