Earlier quoted context omitted.
There are countless fables about record company executives dropping by the mastering studio to hear the new hit in its finished form. They'd inevitably make some ill-posed request, of the familiar "it needs to pop more!" variety. The wily engineer directs them towards a large and important looking knob, telling them that they are free to dial in as much "pop" as they think the track needs. Of course, they screw up th…
So right on about doing the same thing by accident. Early in my life, I programmed synths in a studio - and I practiced a variation on this. I would listen to what sound they wanted, then I would play them something that was likely pretty close. They they would complain about it not being quite right, so I would play 3 or 4 different sounds that I knew were completely wrong, then return to the first sound. To which t…
There is nothing that can describe the mixture of confusion, shame, and artistic/technical self-doubt that you feel upon realising that the compressor you just spent half an hour lovingly tweaking, to seemingly great effect, is bypassed.