I remember this from a while ago - https://news.ycombinator.com/item?id=1193657 After I read that post it took something away from a lot of films for me, since it was hard to not notice. In this context, ignorance is bliss I say! I wish I could go back to not noticing.
Why Every Movie Looks Sort of Orange and Blue
51–60 of 114 posts
Re: Why Every Movie Looks Sort of Orange and Blue
#52Re: Why Every Movie Looks Sort of Orange and Blue
#53Earlier quoted context omitted.
I also find that the lack of money forced the grittiness that was lacking in the second and third movies, and in a lot of high budget movies that attempt "edginess" like that.
In my opinion the pill scene [1] has everything that made The Matrix unique. The color, lightning, costumes, ambience (rain and thunder outside), surgical use of soundtrack and the dialogue itself. All the elements successfully contribute to give it that comicbook/cyberpunk feel. In contrast, the sequels don't have such simple but striking scenes like that. [1] https://www.youtube.com/watch?v=te6qG4yn-Ps
ps: or not https://en.wikipedia.org/wiki/Red_pill_and_blue_pill
Re: Why Every Movie Looks Sort of Orange and Blue
#54In The Matrix, you could tell which "world" you're in by the general grade of color. When in the Matrix, everything had a greenish overtone, and when in the "real world" it was more blue. I really liked that use of color to be a part of the story telling process.
Just as a note, the green grading was made stronger in releases after the original DVD.
https://www.youtube.com/watch?v=gtktg9hbC_g
I do think they over-egged the pudding in the Blu-ray release. In some scenes Neo's skin tones look awful.
Re: Why Every Movie Looks Sort of Orange and Blue
#55At least they had the good grace to link to http://theabyssgazes.blogspot.com/2010/03/teal-and-orange-ho... before effectively rewriting his original blogpost (and copying some of the images directly from it!)
Those priceonomics guys really care for their SEO. They are one of the few websites that writes totally unrelated articles to sell a product. I kind of feel used when I see them pop up.
We make the kind of content we love and we sell products so that we can afford to make more of that content. The two products we actually sell (data crawling for companies and books for people) aren't particularly well-suited toward SEO (though our original idea, a Price Guide which we killed years ago, was).
Anyhow, we're a content site that's trying to get by without using ads. I think most of our regular readers appreciate we're trying to pay the bills by selling things instead using ads. We'd like to avoid jamming our site with advertising if that's possible.
Happy to answer any questions you have.
Re: Why Every Movie Looks Sort of Orange and Blue
#56Earlier quoted context omitted.
In my opinion the pill scene [1] has everything that made The Matrix unique. The color, lightning, costumes, ambience (rain and thunder outside), surgical use of soundtrack and the dialogue itself. All the elements successfully contribute to give it that comicbook/cyberpunk feel. In contrast, the sequels don't have such simple but striking scenes like that. [1] https://www.youtube.com/watch?v=te6qG4yn-Ps
The most intense glass of water in movies. A nice hommage to Total Recall too I guess. ps: or not https://en.wikipedia.org/wiki/Red_pill_and_blue_pill
Re: Why Every Movie Looks Sort of Orange and Blue
#57Then I twigged it was because I was running F.Lux.
Re: Why Every Movie Looks Sort of Orange and Blue
#58In The Matrix, you could tell which "world" you're in by the general grade of color. When in the Matrix, everything had a greenish overtone, and when in the "real world" it was more blue. I really liked that use of color to be a part of the story telling process.
I would imagine it helps smooth some rough edges during the compositing phase when the overall grade matches the color key.
Re: Why Every Movie Looks Sort of Orange and Blue
#59Earlier quoted context omitted.
The teal-and-orange plague followed from DI[0]. Amélie predates the widespread use of DI, and DI's later compromission by the TaO plague. So it probably isn't the contrast, most of the movies from the time (and before it) would have similar non-TaO palettes (unless they were specifically going for it, as in Blade Runner) [0] http://en.wikipedia.org/wiki/Digital_intermediate
Amelie was DI'd. It was digitally graded by Didier le Fouest
Re: Why Every Movie Looks Sort of Orange and Blue
#60Earlier quoted context omitted.
The most intense glass of water in movies. A nice hommage to Total Recall too I guess. ps: or not https://en.wikipedia.org/wiki/Red_pill_and_blue_pill
More intense than this glass of water? https://www.youtube.com/watch?v=YFBrIVCasE4&t=16