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Why Every Movie Looks Sort of Orange and Blue

priceonomics.com

31–40 of 114 posts

Re: Why Every Movie Looks Sort of Orange and Blue

#31
post #28

At least they had the good grace to link to http://theabyssgazes.blogspot.com/2010/03/teal-and-orange-ho... before effectively rewriting his original blogpost (and copying some of the images directly from it!)

Those priceonomics guys really care for their SEO. They are one of the few websites that writes totally unrelated articles to sell a product. I kind of feel used when I see them pop up.

If the content is good, who cares?

Re: Why Every Movie Looks Sort of Orange and Blue

#32

> There's no specific colour decision-making process where we sit in a room and say, 'We're only going to use complementary colours to try and move the audience in a particular direction – and only use those combinations.' A lot of production designers would strongly disagree with this statement. The color palette of a film is very much a part of the decision-making process (pre-production as well as post-production)…

Having worked in a grading suite, I can say that the quoted statement is indeed false.

Colour usually is considered right at the start, as dperfet correctly points out.

Re: Why Every Movie Looks Sort of Orange and Blue

#34
post #4

One movie that seemed to play with color to a fantastic effect is Traffic - http://www.imdb.com/title/tt0181865/ I noticed when it came out that color played a subtle role in setting the mood of each scene and aspect. For instance, near the border towns and where where the "hot zone" of illegal drug traffic occurred, it was more yellow/orange tinted. Then when you head back to the suburbs and see privileged kids doin…

Side-note: Soderbergh's editing is absolutely fantastic and original too (see: The Limey, Out of Sight). Fine, fine film-maker, one of the few to be able to cross from pure art film to Hollywood blockbuster and back again through everything in between with ease. It will be interesting to see where his "retirement" takes him.

Re: Why Every Movie Looks Sort of Orange and Blue

#36

Funny to see Amelie there as a counter-example - it's pretty much my favourite movie, and one of the things I love about it is the autumnal quality of the light. Normally I wouldn't notice that kind of thing at all, perhaps it's the contrast with all the orange-and-blues (or maybe just the exceptional loveliness of the film itself)

The teal-and-orange plague followed from DI[0]. Amélie predates the widespread use of DI, and DI's later compromission by the TaO plague. So it probably isn't the contrast, most of the movies from the time (and before it) would have similar non-TaO palettes (unless they were specifically going for it, as in Blade Runner) [0] http://en.wikipedia.org/wiki/Digital_intermediate

Amelie was DI'd. It was digitally graded by Didier le Fouest

Re: Why Every Movie Looks Sort of Orange and Blue

#38
post #31
post #28

Earlier quoted context omitted.

Those priceonomics guys really care for their SEO. They are one of the few websites that writes totally unrelated articles to sell a product. I kind of feel used when I see them pop up.

If the content is good, who cares?

The people who search for a product, and get get results ranked based on irrelevant blogging.

Re: Why Every Movie Looks Sort of Orange and Blue

#39
post #5

In The Matrix, you could tell which "world" you're in by the general grade of color. When in the Matrix, everything had a greenish overtone, and when in the "real world" it was more blue. I really liked that use of color to be a part of the story telling process.

Steven Soderbergh's Traffic (2000) made heavy use of this, too, to distinguish different locales and parts of the story. The Mexico/Benicio Del Toro partions were heavy on gold/orange, burnt, sepia, while the Washington/Michael Douglas parts were blue, cool.

Re: Why Every Movie Looks Sort of Orange and Blue

#40

I remember this from a while ago - https://news.ycombinator.com/item?id=1193657 After I read that post it took something away from a lot of films for me, since it was hard to not notice. In this context, ignorance is bliss I say! I wish I could go back to not noticing.

I see it as just another way of understanding a tool in a filmmakers box better. You can gain a deeper appreciation for a film by understanding how and why an element, be it sound, color, framing, or anything else, was chosen by the director and film crew.
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