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Dear Spike Lee

juanluisgarcia.com

1–10 of 165 posts

Re: Dear Spike Lee

#4
An unfortunate but common sequence of events, where this:

We never signed any contracts or work-for-hire agreements

...leads to these:

The agency told me that I could publish the work as my own for the "exposure"

I never even got paid the peanuts they owed me

The agency responded by threatening me with legal action and worse

Whenever a client states or implies that "the exposure" will be payment enough, alarm bells should be ringing.

Re: Dear Spike Lee

#5
post #3

This is why you should always have your contracts reviewed by a lawyer. See Mike Monteiro's Fuck You, Pay Me: http://vimeo.com/22053820

True, but if he can prove he created them, he has a copyright on the work just by creating it.

Re: Dear Spike Lee

#8
Whew...I thought this was going to be an indictment of the Oldboy remake. Sure, the original was great, but I was interested in how an American director would handle the material.

That said, this was probably not the kind of controversy Spike Lee needs attached to this project.

side note: Roger Ebert's raving review of Oldboy was what got me to watch the original Oldboy and that spurred a whole new appreciation of independent foreign films for me:

http://www.rogerebert.com/reviews/oldboy-2005

Would've loved to see what he thought about this one, though Ebert's successor only gave the remake 3 stars

http://www.rogerebert.com/reviews/oldboy-2013 http://www.rogerebert.com/reviews/oldboy-2013

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