> Architecture. In both neoclassicism and brutalism, regardless of intended aim, the effect seems to be one of silublime monumental scale that humbles a person.
Well why would you discard the intention? I think there is more to compare as well than just the ability of the architecture to humble someone. What does the architecture say? Who does it glorify (in these cases)? How difficult is it to make?
You can also say they're similar but one is good and done well (neoclassicism as you mentioned but there are others) and one is done very poorly (brutalism).
Part of how you could argue that is something like number of visitors. Nobody visits brutalist architecture. It's extremely unpopular outside of academic circles or art establishment points of view.
> Both paintings you cited are very much on the traditional and representative end of the spectrum. None of them seem to be on the more abstract 20th century styles.
I have a hard disagreement here but I'm not sure what there is to really talk about.