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What Turned Jaron Lanier Against the Web?

smithsonianmag.com

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Re: What Turned Jaron Lanier Against the Web?

#21
The article's subtitle calls Lanier the "visionary behind virtual reality" and tempers that slightly in the body text calling him "...a pioneer and publicizer of virtual-reality technology..." and stating "...he helped make virtual reality a reality..."

Yet most of the Timeline section of Wikipedia's entry for VR predates Lanier. [1]

From the article:

> Lanier is still in the game in part because virtual reality has become, virtually, reality these days. "If you look out the window," he says pointing to the traffic flowing around Union Square, "there’s no vehicle that wasn’t designed in a virtual-reality system first. And every vehicle of every kind built—plane, train—is first put in a virtual-reality machine and people experience driving it [as if it were real] first."

No, they were designed in a Computer-aided design (CAD) system first. The 20 year history of CAD prior to 1985 is omitted and CAD is subsumed into VR.

Automakers were leading users of high-end graphics systems and CAD prior to Lanier's involvement:

> ...probably the most important work on polynomial curves and sculptured surface was done by Pierre Bézier (Renault), Paul de Casteljau (Citroen), Steven Anson Coons (MIT, Ford), James Ferguson (Boeing), Carl de Boor (GM), Birkhoff (GM) and Garibedian (GM) in the 1960s and W. Gordon (GM) and R. Riesenfeld in the 1970s. [2]

Designs are now tested with VR, but that's really just an extension of the CAD process.

Another issue is that navigating through virtual 3D environments was being done long before 1985 in the form of high-end flight simulators delivered to the military [3] and projects such as the Aspen Movie Map. [4] First person games existed but were severely limited by the capability of the hardware of the time. [5]

Head-mounted displays also predate 1985. [6]

[1] http://en.wikipedia.org/wiki/Virtual_reality#Timeline [2] http://en.wikipedia.org/wiki/Computer-aided_design#History [3] http://en.wikipedia.org/wiki/Flight_simulator#Computing_in_f... [4] http://en.wikipedia.org/wiki/Aspen_Movie_Map [5] http://en.wikipedia.org/wiki/First_person_%28video_games%29#... [6] http://en.wikipedia.org/wiki/Helmet_mounted_display#History

Re: What Turned Jaron Lanier Against the Web?

#22

I wasn't aware that Jaron Lanier was ever really for the Web. The things he's known for -- art games for the Commodore 64, early work on virtual reality, consulting on Second Life and Kinect, etc. -- are not really Web things. They're rooted more in the older William Gibson-style vision of completely immersive digital environments, rather than in hypertext. Which makes it a bit unconvincing to call him "the double ag…

From 1997 to 2001, Lanier was the Chief Scientist of Advanced Network and Services, which contained the Engineering Office of Internet2, and served as the Lead Scientist of the National Tele-immersion Initiative, a coalition of research universities studying advanced applications for Internet2.

==Looks like his first "contra" essay was in 2000.

(Per Wikipedia).

Re: What Turned Jaron Lanier Against the Web?

#23
post #6

I wish a full transcript was available, because it's hard to tell if the writer has turned Lanier's views into an incoherent mess, or if his views actually are a mess, and the writer is doing the best he can to synthesize them. Page 2 seems to imply that part of Lanier's dislike of digital culture stems from the fact that MIDIs can't represent saxophone music. Was that really such an important part of the interview t…

The discrete nature of MIDI and its purported effect on music is one of the main example complaints in You Are Not a Gadget, and one of the easier ones to evaluate. Has the richness of music been decreased since the MIDI standard was promulgated, or has it increased?

Music is like many other sorts of human information systems (natural languages, laws, business practices) in that there are various forces both for and against standardization. Standards in music are much older than MIDI; the equal-tempered tuning of the Western scale is exactly a somewhat unsatisfactory compromise forced by standardization.

More here: http://omniorthogonal.blogspot.com/2010/02/review-you-are-no...

Re: What Turned Jaron Lanier Against the Web?

#24
post #6

I wish a full transcript was available, because it's hard to tell if the writer has turned Lanier's views into an incoherent mess, or if his views actually are a mess, and the writer is doing the best he can to synthesize them. Page 2 seems to imply that part of Lanier's dislike of digital culture stems from the fact that MIDIs can't represent saxophone music. Was that really such an important part of the interview t…

I'm pretty sure it's your reading comprehension that's at fault here. Don't blame the article for you making a mess of it. > Page 2 seems to imply that part of Lanier's dislike of digital culture stems from the fact that MIDIs can't represent saxophone music. from the article: Indeed, one of the foundations of Lanier’s critique of digitized culture is the very way its digital transmission at some deep level betrays t…

>The way I understand that: If you don't pay the people who do the work, and people who make a collage out of their work get paid, you'll end up with much fewer new translations being undertaken.

That's silly. Those previous translations don't magically go away, they still exist. And new translations exist as well except they're now being done by a machine or by a much smaller number of human translator (see below for why this doesn't do any harm).

Having a million people translate "I like cats" into French doesn't give you a million translations. It gives you one translation repeated a million times. That's 999,999 redundant translations. Nothing novel or amazing about those 999,999 translations.

What is the difference between a machine doing those million translations and humans doing identical translations?

Of course, there are novel translations and those would require human input but that's a minority. If the machine can do 99% of translations but requires humans for the additional 1% why is it better to have humans translate 100% rather than just that 1%. You end up with the exact same quality and quantity of translations in both cases.

>You take money from the people who do the work and give it to those who made a collage from it, and the total amount is much less.

The machine is lowering the cost of translations and thus may increase the amount spent on translations. The people who made translations got paid already.

>And I disagree. If I can buy a bun for 20 cents, or someone could rob the baker and give it to me for 5 cents, I'd rather have the bun for 20 cents, because that means more delicious bun tomorrow, and the day after that.

Except that's not the situation. The situation is that someone took the bun, figured out how to make one from it and then started selling their own buns for 5 cents each. You can have that exact same bun forever from the new seller.

Of course, one day you may want a new bun and, you'd argue, that there are no bakers left. But that's silly and utterly simplistic. Once there's not enough bakers with buns to copy that doesn't mean that new recipes will cease to exist but rather than an an alternative will be found. So the new seller will have simply hired some bakers to create a new recipes. Some bakers will continue to have jobs except that instead of wasting all their time on the repetitive tasks of baking they'll instead spend it on innovative tasks of making new recipes (or improving existing ones). You end up with the same diversity and quality of buns now and in the future but at a lower price.

Of course, many bakers will lose their jobs but that's the consequence of all technology and progress. Light bulbs meant that many candle makers lost their jobs. Frankly I prefer light bulbs to candles.

In their place many new jobs will have opened up via the money which people used to spend on buns or candles. That's in addition to all the jobs needed to keep the new bun or light bulb making infrastructure running.

edit: Actually, the "perfect" machine translation would be superior to the average human translation for that 99% since it'd be based on the best human translation for every single piece of text. Needless to say machines are far from there yet but that also means human translators have little to fear job wise for now.

Amusingly, the next hot thing in web translation probably isn't machines. It's humans. Using mechanical turk. So thanks to the web there may soon be more human translators employed than ever before. That's on top of the machines which, to be frank, rather suck at any translation that really matters.

Re: What Turned Jaron Lanier Against the Web?

#25
I'm seeing much skepticism and criticism of Lanier in the comments here, which would be my position too, based on 99% of what I've watched or read about him (a scene with an Aibo comes to mind especially!).

However, there was a 1% where I felt he really shined and that was in a bloggingheads discussion with Eliezer Yudkowsky. It's been about a year since I last watched it but I've seen it four times in total and every time there are large periods where I'm really locked into the points Lanier is making and find myself in agreement. Check it out here (go on, Yudkowsky is always good value!): http://bloggingheads.tv/videos/1849.

Re: What Turned Jaron Lanier Against the Web?

#26
From reading in the popular press about Jaron Lanier he strikes me as more of an artiste than technologist. Which is fine by me.

His comments in this article hint at something that nags at me as a musician and lover of music, which is the rise of the concept of "content" to describe creative works.

The ubiquity of digital networks has led to an unprecedented level of commodification of music (for example). Various large entities like (Google, Apple, Facebook) and influential networks of transmission (bit torrent, Grooveshark, Spotify, Mega-Upload) seem to have not only captured more of the value of creative artists, they have also captured huge cultural mindshare. (The tech CEO as rock star).

Google in particular disturbs me as it seems like the search engine has become more important than what is searched for. This somehow feels hollow to me.

I'm interested in general about how meaning is created by and for people. Music is an old means of adding, or at least enhancing meaning.

Now figures like Steve Jobs take some of that role. But there is at least some irony that the gadget that broke Apple into the popular mainstream was a music player, completely un-interesting with out the content that it commodifies.

Re: What Turned Jaron Lanier Against the Web?

#27

Earlier quoted context omitted.

I'm pretty sure it's your reading comprehension that's at fault here. Don't blame the article for you making a mess of it. > Page 2 seems to imply that part of Lanier's dislike of digital culture stems from the fact that MIDIs can't represent saxophone music. from the article: Indeed, one of the foundations of Lanier’s critique of digitized culture is the very way its digital transmission at some deep level betrays t…

> The way I understand that: If you don't pay the people who do the work, and people who make a collage out of their work get paid, you'll end up with much fewer new translations being undertaken. That's silly. Those previous translations don't magically go away, they still exist. And new translations exist as well except they're now being done by a machine or by a much smaller number of human translator (see below f…

"The situation is that someone took the bun, figured out how to make one from it and then started selling their own buns for 5 cents each."

So why are they not simply buying the rights of the translations they are using? Because chopping it into pieces and analyzing it automatically doesn't require it? BS, we're talking about big data, if they wanted they could know exactly how many vowels and consonsants they used of each individual translator, and then start haggling.

And "heh" to "all technology and process costs jobs." How many jobs were lost when we found out washing hands before surgery is a good idea? It's such a mindless thing to say. It's a mantra, it's a goal, but far from the truth.

Re: What Turned Jaron Lanier Against the Web?

#28
Lanier has long since "lost the plot" in that he kind of seemed to have grown to dislike the commodification of "thought leadership". Even before this I was wary of a certain preciousness that went into his thinking; a kind of "we can make VR so cool..." but it always seemed less open and free wheeling. In a way you could say he's Apple and the web is Linux.

Re: What Turned Jaron Lanier Against the Web?

#29
post #6

I wish a full transcript was available, because it's hard to tell if the writer has turned Lanier's views into an incoherent mess, or if his views actually are a mess, and the writer is doing the best he can to synthesize them. Page 2 seems to imply that part of Lanier's dislike of digital culture stems from the fact that MIDIs can't represent saxophone music. Was that really such an important part of the interview t…

I think Jaron Lanier is terribly, hopelessly wrong about MIDI and music, but I'm inclined to agree with his broader critiques of the web. Twitter and newspaper comments have soured me on social technology to a large extent. I'll get over this when semantic AI has improved to the point that my computer and/or the net can filter out rhetorical fallacies before I encounter them and start blowing steam out of my ears.

Re: What Turned Jaron Lanier Against the Web?

#30
post #19

Jaron Lanier always seems to be about to make a deep, profound point, or to be talking as though he just made a deep, profound point. Somehow I always miss the point, though.

The point is that he's sweeping away strawmen left and right, leaving himself at the center of what remains.

So he is his own strawman?
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