New Worlds: We are living in the future of J.G. Ballard or William Gibson

Post by smm11 » Fri, Aug 21, 2026, 6:01 PM UTC

arde wrote: post #25

api wrote: post #5

Another thing they got right was the merger of governments, large corporations, finance, intelligence agencies, and globalized organized crime into one big sprawling mass of Machiavellian nihilists scheming for power. None of these people really believe in anything, though sometimes they pretend to as part of some power play. Gibson in particular nails this, especially in his original Sprawl trilogy. This sprawling m…

There's some Pynchon in these times too.

Post by Tubelord » Fri, Aug 21, 2026, 6:04 PM UTC

hn_throwaway_99 wrote: post #34

krapp wrote: post #29

I disagree. Gibson's dystopias are too competent, too well organized, too serious. I feel like we're headed somewhere between the satire of Neal Stephenson and the lunatic delirium of Philip K. Dick.

100% I know that "Idiocracy" gets thrown around all the time, but the reason I think it does is that they do have advanced tech but at the same time everyone is a blathering idiot. That's what gets me about our present reality - on one hand we supposedly have all the world's information at our fingertips, but the absolute dumbest, most bullshit theories get real traction and cause real damage. When they had the UFC f…

Post by justsomehnguy » Fri, Aug 21, 2026, 6:06 PM UTC

thwarted wrote: post #70

keiferski wrote: post #10

I am a big fan of both, but I think what's missing in reality, but in their fiction (and cyberpunk fiction in general) is a sense of coolness and caring about aesthetics. For all the evil that the mega corporations do in a Gibson novel, they still have an aesthetic appeal. Real-world corporations aren't that interesting. Amazon, Facebook, or Google have nothing "culturally" or aesthetically on Hosaka, Arasaka or Sens…

I never thought about this before, but you made me realize that Sense/Net sure had a lot of employees considering the in-story world had true AGI, enough employees that the Panther Moderns exploited to cause chaos during the Dixie Flatline run. Or was it that the Turing Police were in the habit of shutting down really smart AI resulting in an aggressive need for white collar workers? On aesthetics, the way the Hosaka…

Post by optimalsolver » Fri, Aug 21, 2026, 6:14 PM UTC

forgotTheLast wrote: post #76

tuvix wrote: post #53

Earlier quoted context omitted.

I think the fact that these kinds of companies were portrayed as such in fiction kind of prevents them from adopting the cool aesthetic. Like they need something to separate them from being the exact image of an evil futuristic corporation that lives in our heads. Or else we might actually recognize what they are.

Agreed, our real-life corporations are still trying to convince themselves (by 'them' I mean employees) that they're the good guys and wrap everything in a layer of HR-speak' "We're helping connect the world! Yay!", " We're collaborating with the ministry of War to zero people, but only if they have a signed judicial order", etc. Their fictional counterparts don't bother.

Post by svachalek » Fri, Aug 21, 2026, 6:17 PM UTC

eithed wrote: post #56

I love that Gibsons cyberpunk is "realistic" and mundane (at this point): a girl replaces a virtual singer (Mona Lisa Overdrive), another girl steals glasses containing plans for urban redevelopment (Virtual Light), virtual world is as inhabited as real one and you only need helmet to access it (Pattern Recognition). We already are living with these stories and dystopia is already here, to a degree.