>On one side, there’s copyright law, which exists to support the work of creative people.
Which exists to enrich Disney and other large corps, while they hide behind artists as a human shield.
>Artists need some form of reward.
Right, as do artists who use the work of other artists as their starting point. Copyright holders aren't bill and bob artist, they are massive corporate trolls throwing around the weight of almost 100 years of our cultural heritage, sucking the marrow from its bones.
>On the other side, buying and destroying copies of rare books is quite scary. We would lose access to those books if they weren’t digitized. They are creating walls around knowledge that they acquired because there are no laws in place to protect authors.
The books are getting digitised into a permanent record of all our cultural heritage. It just sucks we don't have control over it. If only there was a way we could get them digitised AND control our cultural heritage. HMMMMMMM.
>Do not believe Anna’s claims, since physical book sales are plummeting — the main source of income for writers — and shadow libraries are killing the incentive to write.
The incentive to write is being killed by slop groups like 20Booksto50K and Kindle which predate AI by at least a decade. AI just lets them work faster.
>We might end up with all of humanity’s books digitized and accessible for free
Excellent
>But there would be no human writers left.
Unlikely, but there would definitely be no Disneys or Conde Nasts left, which is a massively pro social outcome.
>In a world like that, what motivation would we still have to read?
In a world with all books digitised and accessible to read? A huge huge huge incentive. I already partake if books are too expensive where I am. It would take me the rest of my life to read all the books I already want to read. What kind of inane dribble is the idea that copyright makes it interesting to read? I havent even read all of Howard and he's in the public domain (in cool countries at least)