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I like 'em thick: an apology to my English teachers

experimental-history.com

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Re: I like 'em thick: an apology to my English teachers

#112

As an old man I now think the art and humanities classes in school landed at the wrong time. You need context to really understand a book or a work of art. You want to know what kind of environment produced it, what it's talking to. But when you're in school, there isn't time for that. You aren't going to know a bunch of things about history to put things into context, because there simply isn't enough time for it. S…

I feel like it depends on how the classics are introduced. Being forced to read classics in their original form, while illuminating is unneccesary at the K-12 level where classics, humanities, and arts are meant to spark curiosity and an openness to synthesis. Using abridged adaptations (eg. Illustrated abridged classics, wishbone) aren't a bad way to impart much of the ethos of those works.

Yes, imagine classical physics were taught by studying the original works from Newton.

It would never work!

Re: I like 'em thick: an apology to my English teachers

#113

I really enjoyed reading this and I've been thinking along similar lines when I imagine viable careers of the future. No one will care if code is "thick" but why would anyone buy a novel written by AI? What does the reader get out of it? It seems like the humanities might be the most stable career path available.

Haha and suddenly we'll have the pivot where all the software engineers try their hand at being writers. I can already see glimpses of it here wirh articles like this.

Code can be thick, but it's really the value and conscientiousness of the thing being created that will be judged as "thick".

One hope I have when the wave of AI acceleration comes smashing down to reality is that it will force people into being deliberate, measured, and "thick" with their designs, approaches, attitudes, etc.

Re: I like 'em thick: an apology to my English teachers

#114
But when I see something incomprehensible, is it thick, or is it just stupid?

Surely the literary field has its cranks that believe they have made something deep, but have just made something nonsensical? What's the literary equivalent of TimeCube or chemtrails?

Re: I like 'em thick: an apology to my English teachers

#115

As an old man I now think the art and humanities classes in school landed at the wrong time. You need context to really understand a book or a work of art. You want to know what kind of environment produced it, what it's talking to. But when you're in school, there isn't time for that. You aren't going to know a bunch of things about history to put things into context, because there simply isn't enough time for it. S…

> Like if you read Dickens, will you know enough about the industrial revolution, the condition of cities at the time, and such? We did talk about these things in English class in high school. The teachers would lay out the historical/social/cultural context of each book we read. Did your school not do that?

In my case I didn't understand the context of the context. Also, having no life experience at the time didn't help.

Most of my time was spent on grinding stem subjects

Re: I like 'em thick: an apology to my English teachers

#116

[flagged]

Complexity should be relative to the material covered.

Verbosity without substance is tiresome. But so is hand-waving and vagueness over complex topics (the hallmark of conspiracy theorists and absolutist fundamentalists).

Providing a rich exposition of a rich topic is indeed a divine sort of thickness.

Re: I like 'em thick: an apology to my English teachers

#117

Although I appreciate the article, what's the deal with calling depth thickness? Is it because it looks like the meme word 'thicc'? > If you allow for the existence of secret treasures that can only be accessed with effort and analysis, then you empower the elitists and the snobs. “Buddy, don’t even talk to me until you’ve been in the cave!” I don't agree with this statement. Being a snob and/or elitist means looking…

Given the butt-emphasis, there's also a certain allusion to Sir Mix-a-Lot.

Re: I like 'em thick: an apology to my English teachers

#118

Earlier quoted context omitted.

It felt even worse when reading Shakespeare, which is nominally the same language you and I speak, but just barely. Add the fact that it's a play, where the performance carries a lot of the meaning. The end result was that I - and as far as I could tell, 99% of my classmates - got basically negative value out of sitting in class and reading lines we didn't understand out loud, without even time to try and parse it ou…

I have heard that Shakespeare is much easier and more enjoyable for non-English speakers, because they get modern translations and we do not Linguist John McWhorter says that Shakespeare is often an "the Emperor has no clothes" situation. No one wants to admit to themselves or others that they don't understand it, and the people who think they understand it are often misunderstanding a lot of it

This is a really good point. My wife and I produce a history podcast where, right now, a lot of it draws on primary sources such as letters, diaries, etc. from the late 1800's to early 1900's. The ones in German she translates into English, but it feels "wrong" to change someone's words that are already in English.

The net result is that it's easier (for me) to understand a letter written by someone in a translated foreign language than one written by someone in English from the same period.

Re: I like 'em thick: an apology to my English teachers

#119

As an old man I now think the art and humanities classes in school landed at the wrong time. You need context to really understand a book or a work of art. You want to know what kind of environment produced it, what it's talking to. But when you're in school, there isn't time for that. You aren't going to know a bunch of things about history to put things into context, because there simply isn't enough time for it. S…

> Like if you read Dickens, will you know enough about the industrial revolution, the condition of cities at the time, and such? We did talk about these things in English class in high school. The teachers would lay out the historical/social/cultural context of each book we read. Did your school not do that?

It still feels academic though. Suppose your response to that is, "Well, suck it up, its formalized".

I'd argue that it'd be worse if you could teach your book, and a 50 year old who both has rich lived experience and grew up in the time period the book was talking about has the exact same understanding of said book as a bored edgy 16 year old.

Either you're a godly teacher, or chances are the book doesn't have much depth. And maybe you are a really good teacher, I certainly wouldn't want to teach public school teenagers for a job. But while I'm charitable to teachers, I'm also charitable to the depth of novels.

I read Dostoevsky when I was 16 and I'm still learning more things about him and myself a decade later.

Re: I like 'em thick: an apology to my English teachers

#120
post #67

As an old man I now think the art and humanities classes in school landed at the wrong time. You need context to really understand a book or a work of art. You want to know what kind of environment produced it, what it's talking to. But when you're in school, there isn't time for that. You aren't going to know a bunch of things about history to put things into context, because there simply isn't enough time for it. S…

I think the Joni Mitchell song Both Sides Now applies, life is a conversation with experience.. you are not the same person you were in your teens, in your twenties.. and once you go through life some more life you perspectives shift even more drastically. Doesn't mean younger perspectives are useless.. you were more engaged with the world when you younger and more innocent.. you really can't get back to that I don't…

I think my favorite part of this song is that there are excellent versions of this song from her in her 20s, 70s and 90s
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