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I like 'em thick: an apology to my English teachers

experimental-history.com

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Re: I like 'em thick: an apology to my English teachers

#31

> Why this word, this scene, this character, and not some other one? The "why this not that , even when it looks like that would do just fine" style of differential analysis is an exquisitely powerful analytical tool. Asking this question is probably the single most powerful method I know of to generate deep thought, in absolutely any aspect of life. If you haven't tried it... go for it! (Sample question: why'd I cho…

> Instead I've started thinking about books in terms of "book of the month", "book of the year", "book of the decade", "book of the century", et cetera. Is this going to be the best thing I read all month or all decade? Am I going to remember this for a year or forget most of it next week?

This is a wonderful thought, I thank you for it

Re: I like 'em thick: an apology to my English teachers

#33
As an old man I now think the art and humanities classes in school landed at the wrong time.

You need context to really understand a book or a work of art. You want to know what kind of environment produced it, what it's talking to.

But when you're in school, there isn't time for that. You aren't going to know a bunch of things about history to put things into context, because there simply isn't enough time for it.

So you end up doing a bunch of weird commentary on say a book where you as a teenager have no idea where to place it. Like if you read Dickens, will you know enough about the industrial revolution, the condition of cities at the time, and such? Will you know what kind of thing the characters would care about?

How would you know what the characters in Pride and Prejudice are worried about if you don't know how that society is?

So as a kid it just totally didn't mean anything to me, it was just a strange torture where you are meant to comment on the motivations of the characters and how the writing style brings that out.

Re: I like 'em thick: an apology to my English teachers

#34

> Why this word, this scene, this character, and not some other one? The "why this not that , even when it looks like that would do just fine" style of differential analysis is an exquisitely powerful analytical tool. Asking this question is probably the single most powerful method I know of to generate deep thought, in absolutely any aspect of life. If you haven't tried it... go for it! (Sample question: why'd I cho…

> Is this going to be the best thing I read all month or all decade?

Many times it is only possible to know that post hoc. There are several books I've read that, in the moment of completing them, stand as the best I'd read in the past few years. Others I finished and figured I'd never think of them past the current month.

But books and their impact upon you can be surprising sometimes. There are some books I think about often, and that I would say have even influenced me greatly, that I wouldn't have guessed would have that impact when I read them. And others that I figured would remain "book of the decade" that barely made it to the two-year mark before being surpassed by something else.

Re: I like 'em thick: an apology to my English teachers

#35

As an old man I now think the art and humanities classes in school landed at the wrong time. You need context to really understand a book or a work of art. You want to know what kind of environment produced it, what it's talking to. But when you're in school, there isn't time for that. You aren't going to know a bunch of things about history to put things into context, because there simply isn't enough time for it. S…

I think books in education often serve as an means to putting yourself in those scenarios and attempting to learn more about different times and cultures.

Re: I like 'em thick: an apology to my English teachers

#36

As an old man I now think the art and humanities classes in school landed at the wrong time. You need context to really understand a book or a work of art. You want to know what kind of environment produced it, what it's talking to. But when you're in school, there isn't time for that. You aren't going to know a bunch of things about history to put things into context, because there simply isn't enough time for it. S…

It felt even worse when reading Shakespeare, which is nominally the same language you and I speak, but just barely. Add the fact that it's a play, where the performance carries a lot of the meaning.

The end result was that I - and as far as I could tell, 99% of my classmates - got basically negative value out of sitting in class and reading lines we didn't understand out loud, without even time to try and parse it out because we were too busy just scanning the lines to see when it was our turn to speak.

Re: I like 'em thick: an apology to my English teachers

#37

As an old man I now think the art and humanities classes in school landed at the wrong time. You need context to really understand a book or a work of art. You want to know what kind of environment produced it, what it's talking to. But when you're in school, there isn't time for that. You aren't going to know a bunch of things about history to put things into context, because there simply isn't enough time for it. S…

> But when you're in school, there isn't time for that. You aren't going to know a bunch of things about history to put things into context, because there simply isn't enough time for it.

I think you just had bad teachers. Historical context was always part of the English language/literature curricula at my high school, and it definitely made a difference. I didn’t even go to a good school. Our district was the worst funded in our state with a 40% dropout rate.

Re: I like 'em thick: an apology to my English teachers

#38

I'm confused; why is this hitting #2 on HN? I don't see the H or the N in this.

It's always funny to me how often comments like yours show up, despite a long history on here of diverse thoughts and intellectual curiosities, technological or otherwise.

But especially funny and bewildering in this case is that you have this in your About section of your HN user account:

  > A journey from the liberal arts to hacking the latest gadgets or statistics.

Re: I like 'em thick: an apology to my English teachers

#39

As an old man I now think the art and humanities classes in school landed at the wrong time. You need context to really understand a book or a work of art. You want to know what kind of environment produced it, what it's talking to. But when you're in school, there isn't time for that. You aren't going to know a bunch of things about history to put things into context, because there simply isn't enough time for it. S…

I'm not sure I would necessarily agree with "strange torture" more like "sore muscles from exercising mental muscles". Yes I remember hating The Great Gatsby when I was 14 and having to read it critically in school, I sure didn't have a lot context, but I remember having to do it, and I can look back after years of secondary and post secondary schooling and appreciate the exercise.

I think we should be much denser and more rigorous with school material in the middle/high schoolers, at least relative to what my experience in public school USA was, but that's sort of a separate discussion.

Re: I like 'em thick: an apology to my English teachers

#40
> But those works were much more like dark, winding caves with treasure stashed inside of them. My teachers were like, “Right, well, into the cave you go!” and I was like “But there’s nothing in there” and they were like “Entering the cave is 30% of your grade” and so I took a few steps into the darkness and I was like “Just as I suspected: an empty cave” and then I came trudging back out and pretended that I saw something.

This was a nice metaphor, and made me smile :)

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