The single biggest annoyance with Opus 5 is that it writes too elliptically. Sentences that orbit a point, then jump to it like it's a revealed insight. Unnecessarily abstract phraseology. Constantly using inanimate nouns as the subjects in sentences in order to unlock variety in verb choice, especially when it helps construct a sentence where the real action can 'land' like a surprise at the end. It is definitely mo…
> writes too elliptically > Constantly using inanimate nouns as the subjects in sentences in order to unlock variety in verb choice Wow, what a great way of phrasing this. Thanks for word-smithing what I've been wanting to express for so long.
Why does Opus 5 feel worse to work with?
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Re: Why does Opus 5 feel worse to work with?
#82I get the same impression. For example, I don't know if it's because I speak to it in Italian, but it tends to make mistakes or rather, "approximate" the words.
I avoid speaking to AIs in anything else than English as the results are almost always worse
Likely related to corpus but questions asked in these domain knowledge areas are not nearly as accurate and specially not nearly as complete as when asked in a native language.
Re: Why does Opus 5 feel worse to work with?
#83The single biggest annoyance with Opus 5 is that it writes too elliptically. Sentences that orbit a point, then jump to it like it's a revealed insight. Unnecessarily abstract phraseology. Constantly using inanimate nouns as the subjects in sentences in order to unlock variety in verb choice, especially when it helps construct a sentence where the real action can 'land' like a surprise at the end. It is definitely mo…
Re: Why does Opus 5 feel worse to work with?
#84Earlier quoted context omitted.
It's a surprising change from my perspective, because in the past it felt like they understood that Claude should be pleasant to interact with.
It's bad enough that I've seen dedicated skills to do comment hygiene scrubbing and consolidation.
My theory is that Claude's learned approach to comments is to treat them as a sort of persistent in-band thinking trace, or a "memory" tied to an in-code location, which is a little at odds with the way humans use comments (human comments are intended to be read and understood by other humans, whereas Claude comments are their own dialect).
I bet this is a result of iteratively training Claude on output from other successful Claude sessions. Presumably it's good for making benchmark scores go up.
Re: Why does Opus 5 feel worse to work with?
#85Earlier quoted context omitted.
It's a surprising change from my perspective, because in the past it felt like they understood that Claude should be pleasant to interact with.
It's bad enough that I've seen dedicated skills to do comment hygiene scrubbing and consolidation.
Re: Why does Opus 5 feel worse to work with?
#86- Fable is more cautious
- Opus 5 gets things done in a more dangerous way
Both models score similar. The only issue is that Fable is more expense/usage limited.
Re: Why does Opus 5 feel worse to work with?
#87From the capabilities side it's similar, so it's basically just an upsell to Fable 5 if you want to keep your sanity instead of fighting Opus 5 all day.
Re: Why does Opus 5 feel worse to work with?
#88Re: Why does Opus 5 feel worse to work with?
#89Fable 5 specifically, has done so much for me that previous models were nowhere near.
Re: Why does Opus 5 feel worse to work with?
#90[flagged]